Cover of the audiobook “Olympic Victor Monuments and Greek Athletic Art”

Audiobook Olympic Victor Monuments and Greek Athletic Art

Hyde, Walter Woodburn

2020 · 31:59:22 · Non-fiction · Narrated by AI AI narration

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An exhaustive examination of Greek athletic sculpture, focusing on the monuments erected at Olympia and other sanctuaries in honor of victorious competitors. Walter Woodburn Hyde combines literary and archaeological sources to reconstruct the lost statues of antiquity, illuminating the development of Greek artistic styles from the archaic period onward.

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Summary of “Olympic Victor Monuments and Greek Athletic Art”

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The book investigates the genre of Greek sculptural monuments created for victors in the Olympic, Pythian, Nemean, and Isthmian games. Because very few original bronzes and marbles have survived, the author relies on a combination of literary testimony from writers like Pausanias and Pliny, inscribed statue bases with surviving footmarks, and Roman copies of lost masterpieces. The study begins by tracing the early history of Greek athletics, drawing distinctions between the Aegean bull-grappling traditions of Crete and the martial sports of Homeric and Dorian invaders. The origins of the great national games are rooted in the funerary cults of heroes, which gradually evolved into periodic religious festivals dedicated to the gods.

The physical characteristics of victor statues are examined in detail, including their size, complete nudity, hair-fashion, and the distinction between iconic portrait statues and aniconic ideal types. The author analyzes the evolving canons of human proportion taught by different sculptors and schools, noting how statues were frequently assimilated to the types of divine patrons such as Hermes, Apollo, and Herakles. The core of the work is divided into two primary categories of monuments: those representing victors standing or resting after a contest, and those depicting athletes in the active movement of a specific sport, including runners, jumpers, diskos-throwers, wrestlers, boxers, and pancratiasts.

Special attention is given to the monuments of hippodrome victors in chariot and horse races, as well as dedications by musical competitors. Stylistic analyses are applied to significant extant fragments, such as the marble head attributed to Lysippos and the oldest-dated victor statue. Finally, the topographic distribution of monuments within the Altis at Olympia and across the wider Greek world is catalogued, alongside the socioeconomic honors and civic privileges bestowed upon returning champions by their native cities, concluding with a critique of the growing professionalism and corruption that ultimately degraded ancient athletic ideals.

What the book is about

  • sculpture
  • greek
  • sports -- greece
  • olympics

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