Cover of the summary of “My Lives”

Book summary “My Lives”: summary

Edmund White

3,889 words · 22 min read

You often struggle to reconcile your personal desires with the rigid expectations imposed by your family and culture. Edmund White explores this exact conflict in his memoir written at age sixty-five, detailing the massive cultural shift from nineteen-fifties Middle American psychoanalytic…

Summary text

3,889 words · 22 min read

Introduction

You often struggle to reconcile your personal desires with the rigid expectations imposed by your family and culture. Edmund White explores this exact conflict in his memoir written at age sixty-five, detailing the massive cultural shift from nineteen-fifties Middle American psychoanalytic persecution to modern gay liberation. You face the challenge of understanding how early trauma and societal shame shape your adult identity and artistic output.

A prominent literary figure explores his multifaceted identity through candid portraits of love, family tyranny, Europe, and his progression from psychoanalytic shame to self-acceptance.

The book examines these themes through a structured journey across eight distinct life phases. You will discover how early family tyranny, psychiatric abuse, transactional encounters, and European expatriation forge a legendary writer. The narrative raises several core questions that guide the text:

  • How do you escape the psychological damage inflicted by a volatile and tyrannical father?
  • Can you transform romantic suffering and transactional desire into lasting literary art?
  • What happens when you seek sanctuary in European avant-garde circles after fleeing American provincialism?
  • How do you balance the pursuit of physical beauty with the demands of aging and mortality?

1. Family Roots and Paternal Tyranny

The author's early life was governed by a volatile, misanthropic father and a lineage of emotionally distant men who relied on rigid grooming, domestic terror, and racist condescension.

Edmund White's father was an unpredictable, deeply isolated man who maintained a rigid personal code and obsessive grooming habits. He was a chain-smoker of expensive Cuban cigars who worked entirely at night and slept during the day, embodying a moping, misanthropic existence. He held extreme aversions to casual wear, viewing them as signs of poverty, and spent hours manicuring his nails with an ostrich-skin kit.

He once bought tacky casual clothes, including a workman's cap and a pink shirt with a pink jackass holder, solely to humiliate his son when visiting him at boarding school.

The author's family lineage was marked by emotionally distant men who relied on corporal punishment and expressed deep contempt for others. The grandfather, Dean White, was a math professor and author of joke books who advocated for physical discipline and collected racially charged stories. Both the grandfather, father, and uncle shared a cold self-sufficiency, displaying little joy, engaging in towering rages, and tormenting those around them.

Uncle Bill lived in a trailer where he menaced neighbors with a loaded pistol and ultimately required hospitalization and brain surgery.

White's father and grandfather exhibited a profound, withering condescension toward Black people, masking institutional exploitation behind paternalistic mockery. The father's Black janitor, Charles, would shift into a self-deprecating parody of his own erudition whenever the father appeared.

The father paid Charles thirty dollars a week with a twenty-dollar Christmas bonus while winking at the author whenever Charles quoted scripture.

Starting his business in 1940, the father brokered chemical equipment, setting up entire assembly lines for a commission as high as twenty-five percent. Within a decade, he had offices in five Midwestern cities and earned vast sums, but eventually lost the business as major corporations decided to deal directly with clients. In 1958, the father earned about eighty thousand dollars a year, which was equivalent to half a million in the early twenty-first century.

During a family dinner, the father hurled a metal spoon at the young Edmund because his chatting with the stepmother irritated him, leaving a lump on his forehead.

Following the loss of his business, the father armed himself, stopped shaving, muttered to himself, and eventually bought a janitorial supply business, personally delivering paper towels and mopping toilet floors. Late in life, he became consumed by monitoring his pulse with a stopwatch after a heart attack before dying abruptly from a sudden medical crisis. He entered a new field in his mid-sixties, wearing coveralls and a cap with a badge that said White Janitorial Supplies while delivering paper products to offices.

2. Maternal Psychology and Early Shrinks

White's mother treated him as a psychological guinea pig while mid-century psychiatrists attempted to cure his homosexuality as an ego disorder stemming from an introjected mother.

While studying child psychology, the mother administered projective tests like the Rorschach and the House-Tree-Person tests to White. She interpreted his perceptions through rigid manuals and declared him borderline psychotic with strong schizophrenic tendencies.

When White was around eight years old during a summer at Mullet Lake, Michigan, his mother administered her first Rorschach test to him and triumphantly announced he was borderline psychotic. Their summer house on Mullet Lake was later sold for fourteen thousand dollars.

During the 1950s, mainstream psychoanalysis viewed homosexuality strictly as an entrenched ego disorder caused by an unresolved Oedipus complex. Psychiatrists charged high fees for prolonged sessions. Dr. James Clark Moloney charged fifty dollars an hour in Birmingham, and seeing him three times a week cost six hundred dollars a month. Dr. Moloney operated with a singular master theory claiming that homosexuality and other mental disorders stem from emotional starvation caused by an introjected mother.

When White told Dr. Moloney that his mother had inverted nipples and could not breast-feed him, Moloney slapped his knees, cried out, and shouted that it proved his theory. A Freudian psychiatrist in Evanston told White's mother that he was unsalvageable and should be locked up with the key thrown away after White rattled on about his condition with dandified insolence.

Later in life, you might seek different care, much as White worked with Charles Silverstein, a gay psychotherapist who helped shift psychological treatment toward practical behaviorism and self-acceptance. Silverstein used Gestalt techniques to help patients examine various parts of their own psyche without moral judgment. When White complained of low self-esteem, Silverstein had him look in a mirror and list all his weak and strong points, surprising White by revealing his strengths were twice as numerous.

  • Look in a mirror and list all weak points and strong points.

3. Adolescence, Friends, and Desire

Isolated by constant moves, the author cultivated imaginary companions, popular charm tactics, and sublimated homoerotic attachments that eventually matured into lifelong literary friendships.

You can cope with loneliness and frequent relocations by creating elaborate imaginary companions. At the Miller School, students were never ranked against one another, and their private contributions and extra research were warmly praised. Attending a progressive grade school in Evanston where grades were replaced by individual evaluations left the author devoid of competitiveness, shyness, and stage fright.

The author invented Georgie-Porgie, a bossy girl named Cottage Cheese who sat with him at the dinner table and in his father's Chrysler, and a bad boy named Tom Thumb Thumb.

The author's father strictly forbade hedging phrases and emotional overstatement regarding things rather than people, prompting the author to adopt an intentionally refined vocabulary from literature. The author used words like divine, maddening, and delicious to test his interlocutors for a sympathetic response, contrasting with his father's insistence that a man only likes things rather than loves them.

Finding himself outside the standard athletic and social codes, the author substituted small talk with eager, interested questioning, relentless praise, and sympathy to win over the school crowd. The author became the gay sidekick to handsome straight athletes in Evanston, mirroring characters from Rebel Without a Cause, and gained acceptance by acting as an amusing and supportive confidant.

Physical contact sports and roughhousing in youth can serve as a sublimated outlet for unspoken homoerotic desire.

Unaware of any other gay peers, the author channeled his attraction to male friends into prolonged wrestling matches, strip poker, and intimate library seating arrangements where physical closeness fulfilled emotional and physical longing. The author spent hours wrestling with a boy named Camille and later sat across from a freckled redhead in the library who would clamp his knees vice-like against the author's leg under the table.

The author formed a deep attachment to a high school tennis star, studying his habits and managing his own attraction, which ultimately evolved into a lifelong bond that survived the author fictionalizing him in a novel. The author formed a close bond with Steve Turner in high school, sleeping over in his room without crossing boundaries; twenty-five years later, the author based the character Tommy on Steve in A Boy’s Own Story.

Bright, well-read classmates could maintain eccentric or dangerous political obsessions rooted in secretive subcultures, resisting the author's attempts at moral persuasion through Kantian philosophy. The author's boarding school friend Jack McQuaid secretly collected and wore a complete Nazi SS uniform in his room before completely transforming into a Woody Guthrie populist over the summer.

David Kalstone and the author spent summers renting space in Venice, visiting Peggy Guggenheim, and reading James Merrill's poetry aloud while drinking lethal stingers. When the author's French lover Hubert died, Marie-Claude de Brunhoff immediately arrived at the author's apartment with a nightgown and toothbrush to support him, cementing a sibling-like family bond.

4. Hustlers and Transactional Encounters

Compulsive sexual desires and working-class street youth led the author through a maze of clandestine encounters, con men, and rent boys that ultimately inspired his early literary ambitions.

You find an accessible outlet for compulsive sexual desires in the working-class young men who loiter around Cincinnati's Fountain Square. An overwhelming compulsion focuses on physical acts and the purchase of male bodies rather than traditional romance. Because you feel alienated from the broader 1950s homosexual subculture, almost any available man satisfies an intense curiosity and hunger for sperm.

In Cincinnati, the author hired a Kentucky hillbilly named Hank in a fleabag hotel for twenty dollars plus five dollars for the room.

Local gay acquaintances in Cincinnati provided a clandestine basement location to service hustlers while offering them vicarious titillation. Two local acquaintances who worked at a nearby church arranged for the author to bring hustlers to the church's basement men's room. They watched and listened through an open window connected to an air shaft, finding excitement in observing the encounters.

The organist and deacon of a Cincinnati church watched the author perform sexual acts on country boys through an air shaft window.

Inexperienced in the ways of the world, you frequently fall victim to con men and robberies while seeking paid sexual encounters. A reader's smug literary omniscience does not protect you from actual vice and dishonesty. Soft penises or missed appointments often signal that a hustler is about to rob you or take your money and disappear.

In Cincinnati, a hustler took forty dollars from the author under the pretense of buying one-way Greyhound bus tickets to New York and never showed up. Another forty-two dollars was stolen in an alleyway robbery.

An encounter with a young Italian hustler named Roberto in Chicago inspired early literary ambitions and served as a first male muse. The author paid twenty dollars to an attractive, ironic young man, whose style and romantic air prompted him to write a novel during his junior year at the University of Michigan. He preferred the term rent boy to hustler because it captured a more nuanced transaction.

In Chicago's Bughouse Square, the author met Roberto, an Italian youth who inspired his college fiction contest manuscript titled The Amorous History of Our Youth.

A venereal infection contracted from an avowedly gay hustler abruptly redirected the author's academic and personal trajectory. After contracting a severe infection and crab lice from a hustler at Clark and Diversey, the author experienced deep shame and reconsidered his lifestyle. Two hundred dollars was saved to fly to New York, abandoning plans for a Harvard PhD in Chinese to pursue a relationship and a writing career.

The author visited a doctor who treated him with penicillin and lotion after he contracted an infection.

For years in New York, the author maintained a steady, ritualistic relationship with a professional leather-wearing sadomasochistic hustler named Charles. Charles established a fixed routine where he remained fully clothed and smoked a cigar while the author stripped and performed sexual acts once a week. This dynamic fulfilled deep psychological needs tied to authority and the author's complicated feelings toward his late father.

Charles charged the author for his time, maintained strict behavioral rules, and eventually moved to a house in Prospect Park, Brooklyn.

During his sixteen years spent living in France, the author formed a protective, affectionate bond with a diminutive and rugged street youth named Stam. Stam drifted between odd jobs, smuggling hashish, and living in modest maid's rooms under slate roofs. Despite the vast difference in age and background, Stam treated the author like an equal, blending street argot and verlan with affectionate physical gestures behind a door code of three short and two measured knocks.

The author spent hours listening to Stam talk about his romantic obsession with a carny girl named Lucette in Paris.

In later years in Manhattan, at sixty-plus years of age, you navigate the gay internet to hire young men, eventually discovering that a favorite student companion also serviced other older clients. Through online chat rooms, the author established a regular arrangement with a twenty-one-year-old student named Kevin, trading money and porno videos for sexual encounters. One hundred fifty dollars was offered for sexual services, while Kevin maintained a studio with two thousand dollars a month rent.

A gifted painter showed the author Kevin's professional escort profile on his computer screen in a New York studio.

5. The Psychology of Love and Master Dynamics

Intense romantic suffering and sadomasochistic master-slave dynamics provided the raw training for White's writing while exposing the agonizing transience of youthful physical beauty.

Young romantic dreamers often pour their psychic energy into becoming connoisseurs of ideal desirability rather than improving their actual viability on the romantic market. Instead of pursuing practical methods to attract partners, the author obsessed over fantasy choices like movie stars and masculine ideals, accepting any real man who showed the slightest interest in him due to a complete lack of standards for mutual selection.

The author slept with various random men he met in daily life, including a bus driver in Chicago who wore a ruffled pink robe and angora slippers.

An older gay man can remain trapped in intense, agonizing infatuations with younger physical beauty, contradicting expectations of attaining serene elder-statesman dignity. A reader of a Boston gay magazine wrote in to deplore White for mooning over physical beauty and lacking inner serenity during his mid-sixties while still suffering over young men like thirty-three-year-old T. Sadomasochistic practices in relationships can serve as a physical manifestation of a partner's deep-seated self-rejection and desire to worship youth. White willingly adopted the role of the slave, seeking humiliation and physical punishment from T to boost his own sexual pleasure and to cope with his profound lack of self-respect regarding his aging body.

White set up a scenario using a kilt and a cat-o'-nine-tails, allowing T to step into a dominant warrior role and whip him.

Paying a younger partner for sex can be framed as an elaborate roleplay to normalize the exchange and remove shame. To bridge the gap in age and physical desirability, White paid T one hundred fifty dollars per sexual encounter, dressing it up in industrialized porn dialogue like a high school math teacher and a failing student. Over the course of a year, White paid T twelve thousand dollars in total financial support.

White placed money on T's stomach while kneeling between his knees, and T counts the bills while playing his assigned greaser role.

The abrupt termination of an unreciprocated or transactional affair can trigger profound psychological distress, resembling severe mourning. When T unilaterally decided to permanently stop their sexual relationship after twenty-six months to focus on another lover named Tony, sixty-four-year-old White experienced debilitating anxiety, insomnia, crying spells, and obsessive e-mail monitoring.

White barricaded himself in his office at Princeton, weeping and sharing his distress with colleagues and students.

6. European Sanctuary and Literary Transgression

Moving to Europe shattered American provincialism, immersing White in French avant-garde transgression, literary publishing circles, and complex encounters with cultural icons like Michel Foucault.

Mid-century Americans viewed Europe through an idealized, romanticized lens as a sanctuary of culture, tolerance, and refined sophistication compared to domestic provincialism. Gays in particular looked to Europe as a benign alternative to American persecution by shrinks, priests, and police. Ninety percent of Americans did not have passports as late as the 1970s.

White recalls being electrified at age fifteen when an abstract expressionist painter casually mentioned that Julius Caesar had married several of his soldiers, making homosexuality sound like enduring European gossip.

French cultural education and literature deeply revered transgression, cruelty, and the avant-garde, contrasting sharply with American prudishness. White notes that his prep school education under Mr. Cohen and his reading of French classics exposed him to a culture that unblinkingly admired satanism, irrationality, and the dark side of human behavior, such as the works of Lautréamont and Sade.

White describes reading The Songs of Maldoror by Lautréamont, which featured an episode where a father tortures his sleeping baby just to kiss away its tears and repeat the cycle.

Living in Paris forced White to confront the gap between his romanticized American stereotypes and the stubborn, insular reality of French social structures. White learned French late in life, leaving him with a permanent accent that strangers found childish yet charming. He moved to Paris in 1983 with a Guggenheim fellowship worth seventeen thousand dollars and stayed for fifteen years.

Michel Foucault initially dismissed the early warnings of the AIDS epidemic as American puritanical panic while pursuing intense, unconventional sexual freedom. When White brought news of the newly recognized epidemic called GRID in New York, Foucault and Gilles Barbedette laughed it off, suggesting it was a puritanical American invention. Foucault himself maintained a rigorous intellectual focus while seeking out rough sexual encounters, seeing Foucault a total of thirty times altogether before he died at age fifty-seven on June 25, 1984.

Mark Blasius and Michael Denneny had to rescue Foucault from a bad LSD trip at the Man's Country bathhouse in New York after he forgot his English.

7. Biographical Rigor and Jean Genet

Writing a traditional biography requires strict chronological rigor and complete absence of your personal voice when your subject's background radically contrasts with your own.

You might note that Edmund White deliberately chose a scrupulous, strictly chronological approach for the biography of Jean Genet. He excluded his own first-person voice from the narrative. He recognized that unlike his own privileged upbringing with private schools and psychiatrists, Genet was an abandoned child and petty thief who endured years of deprivation and imprisonment.

When you research a subject who spent their early decades as a delinquent and outcast, the task is vastly more difficult than studying middle-class figures. Genet spent his first thirty years as a foster child, runaway, soldier, prostitute, and thief. He left behind scattered records, estranged friends, and destroyed documentation.

When White began his research, nearly all of Genet's former artistic and criminal friends were dead, unreachable, or hostile. Leonor Fini refused to speak with him until just before the book went to press.

A meticulous chronology serves as the single most vital framework for turning scattered hearsay and police records into a coherent narrative.

After struggling for two years without a strategy, White hired researcher Albert Dichy. Dichy demonstrated that the most crucial framework for a biography is a detailed, ever-expanding chronology. This allowed White to move beyond unverified anecdotes and connect Genet's life to his work and social background.

Albert Dichy and Pascal Fouche reconstructed Genet's entire police record from tiny provincial newspaper items. They detailed petty crimes like altering train ticket destinations or stealing fabric samples.

You discover that uncovering the true childhood origins of an elusive subject often overturns romanticized biographical myths. Through field research and a chance newspaper discovery by assistant Gregory Rowe, White and his team located thirteen living villagers who knew Genet in his youth. They proved that Jean-Paul Sartre's famous account of villagers driving young Genet away for theft was completely false.

Researcher Gregory Rowe found an article by Genet's classmate Joseph Bruley in a regional Paris newspaper. This led to the village of Alligny-en-Morvan, where they learned Genet left at age twelve as the top scholar in the region.

8. Mothers, Women, and Lifelong Friendships

Observing his mother's profound loneliness shaped your view of female vulnerability, leading you to value lightness, self-sufficiency, and enduring platonic female friendships.

White watched his mother drink highballs next to a silent phone. She would make theatrical sacrifices like staying home to clean up while telling her kids to enjoy New Year's. This early suffering taught him to view women as victims and men as all-powerful darlings. You learn to avoid unhappy women who treat misery as a permanent state. White values lightness and cheerfulness as the ultimate act of courage in a world of suffering.

Childhood interactions introduced complex gender dynamics and romance:

  • In eighth grade, a Liverpudlian girl named Alice initiated physical contact in a garage while you remained terrified of being called a queer;
  • At age fourteen, you spent five days in suspense waiting for a letter from Sally, a high school beauty who politely rejected your long parchment-like letter;
  • Anne Hall roasted a skinless lamb over bricks in Ann Arbor, making you feel resplendent and slim during college.

Platonic bonds offered a lasting model of domesticity without unhappiness. Marilyn Schaefer was an art student at Cranbrook seven years older than White when they met at age fifteen. You maintained a friendship spanning nearly fifty years based on shared artistic discussions and books. Marilyn remained entirely self-sufficient, comfortable being alone with her cats and garden.

Straight couplings involve high-stakes drama and deep gender friction. Gay relationships provide freedom but often lapse into a comfortable state of mutual pal-hood where careers supersede domestic arrangements. White observed two middle-aged men in their forties holding hands on Eighth Avenue in New York while scanning their path like minesweepers.

10 Key Ideas

  1. Edmund White's early life was governed by a volatile, misanthropic father and a lineage of emotionally distant men who relied on rigid grooming, domestic terror, and racist condescension.
  2. While studying child psychology, the mother administered projective tests like the Rorschach and the House-Tree-Person tests to White, while mid-century psychiatrists attempted to cure his homosexuality as an ego disorder stemming from an introjected mother.
  3. Isolated by constant moves, the author cultivated imaginary companions, popular charm tactics, and sublimated homoerotic attachments that eventually matured into lifelong literary friendships.
  4. Compulsive sexual desires and working-class street youth led the author through a maze of clandestine encounters, con men, and rent boys that ultimately inspired his early literary ambitions.
  5. Intense romantic suffering and sadomasochistic master-slave dynamics provided the raw training for White's writing while exposing the agonizing transience of youthful physical beauty.
  6. Moving to Europe shattered American provincialism, immersing White in French avant-garde transgression, literary publishing circles, and complex encounters with cultural icons like Michel Foucault.
  7. Writing a traditional biography requires strict chronological rigor and complete absence of your personal voice when your subject's background radically contrasts with your own.
  8. A meticulous chronology serves as the single most vital framework for turning scattered hearsay and police records into a coherent narrative.
  9. Uncovering the true childhood origins of an elusive subject often overturns romanticized biographical myths.
  10. Observing his mother's profound loneliness shaped your view of female vulnerability, leading you to value lightness, self-sufficiency, and enduring platonic female friendships.

A summary is an independent retelling, not the text of the book.

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