Introduction
You live in a culture where celebrities and socialites dictate what you wear, yet you may wonder how style shifted from exclusive Parisian ateliers to mass-market licensing. For decades, traditional couture houses controlled every aesthetic choice until Hollywood studios, athletes, and pop stars seized the runway. Teri Agins explores this transformation in Hijacking the Runway: How Celebrities, Pop Stars, and Fashion Houses Fashioned a New World.
Celebrities, pop stars, and lifestyle moguls transformed the fashion industry by replacing traditional couture with mass-market branding, accessories, and celebrity-driven licensing.
You will discover how modern style evolved through eight distinct shifts in commerce and media. The book answers several vital questions about this evolution:
- How did Hollywood costume departments and athletes first commercialize personal style?
- Why did luxury houses abandon apparel to focus on high-margin accessories?
- How did hip-hop artists and reality television stars build billion-dollar brand empires?
- What distinguishes enduring designer collaborations from critical disasters?
1. Origins of Fashion and Hollywood Influence
The modern fashion system began when Charles Frederick Worth styled Empress Eugénie, but Hollywood studios and athletes quickly seized control of style through costume departments and early brand logos.
You can trace the roots of designer culture back to the nineteenth century. Napoléon III hired tailor Charles Frederick Worth in 1858 to style Empress Eugénie as a living advertisement.
Empress Eugénie wore one hundred innovative gowns created by Charles Frederick Worth for the 1869 opening of the Suez Canal, sparking international demand for French silk textiles and fashion.
Worth used Empress Eugénie to showcase his innovative gowns at public events. He attached his signature and royal crest to clothing as the first fashion label, and established seasonal collections, fashion shows, and the persona of the designer as an artist.
From Royal Court to Hollywood Studios
Hollywood movie studios seized control of fashion trends in 1929 by banning French couture and turning movie stars into primary style icons. Following the stock market crash and hemlines dropping, movie moguls banned French designs and used studio costume departments to produce original wardrobes. They launched massive public relations campaigns to position Hollywood as a global style center.
Macy's sold fifty thousand knockoffs of the ruffled white organdy dress designed by Gilbert Adrian and worn by Joan Crawford in the 1932 movie Letty Lynton.
Adrian outfitted Joan Crawford in 31 movies.
Athlete Brands and Celebrity Fragrances
Tennis champion René Lacoste created the first branded sports shirt and corporate logo, establishing a template for athlete-driven fashion. Lacoste designed comfortable short-sleeved cotton knit shirts with a ribbed collar to replace sweaty long-sleeved dress shirts and embroidered his crocodile nickname on the chest, turning it into an international status symbol.
René Lacoste wore his custom embroidered white blazer and knit shirts to matches, partnering with a French knitwear producer in 1933 to manufacture the Chemise Lacoste shirts.
Lacoste reported 2.1 billion dollars in sales by 2011.
Michael Jordan and Nike transformed athletic footwear into a massive lifestyle brand, proving that celebrity endorsement could transcend sports and reshape men's style. Nike created a signature basketball shoe around rookie Michael Jordan, leveraging his athletic prowess and edgy designs despite initial league fines to build the Air Jordan franchise and spark global sneaker culture.
NBA commissioner David Stern banned Nike's red and black basketball shoes designed for Jordan, fining him $5,000 per game, which only fueled controversy, sales, and the rise of sneakerheads.
Nike signed Michael Jordan in 1984, and the Jordan brand generated 1.75 billion dollars in global sales by 2012.
Giorgio Beverly Hills proved that the lifestyle mythology of a boutique and fake celebrity could drive massive, nationwide fragrance sales. Owners Fred and Gale Hayman exploited the glamorous image of Rodeo Drive and Hollywood hedonism by marketing their signature perfume with high-impact promotional events and limousine rollouts, treating the fragrance itself like a celebrity.
Giorgio Beverly Hills sold more than $100 million worth of three-ounce bottles annually for five consecutive years while stores nationwide struggled to keep it in stock, backed by a reported initial investment of $300,000 in the scent priced at $35.
Elizabeth Taylor legitimized and revolutionized the celebrity fragrance category by turning personal brand empathy into the most lucrative perfume in history. Needing liquid cash, Elizabeth Taylor partnered with Elizabeth Arden to launch Passion and White Diamonds, utilizing cinematic commercials, personal appearances, and her public vulnerability to generate massive royalty streams.
Elizabeth Taylor launched White Diamonds in 1991 following her successful treatment at the Betty Ford Center and marriage to Larry Fortensky, creating a cinematic commercial shot in Acapulco that became a perennial holiday hit after launching her first perfume, Passion, in 1987, which achieved estimated wholesale sales of $40 million in its second year.
2. The Accessories Boom and Red Carpet Marketing
The rise of the Dress-Down Nation disrupted traditional fashion cycles. Tech entrepreneurs and casual brands popularized comfortable basics, eliminating strict office dress codes. You watched seasonal fashion lose its built-in obsolescence as companies like Gap, Dockers, and Nike changed everyday wear.
As casual dress codes homogenized everyday apparel, luxury houses pivoted to high-margin accessories and strategic celebrity red-carpet placements.
Red Carpet Strategies
In 1993, New York Fashion Week organizers moved photographers to a designated pit at the end of the runway. This cleared the front row for high-profile actresses, models, and athletes. About 300 photographers huddled together in the pit, and roughly 20 percent ignored the fashion to photograph celebrities exclusively.
Giorgio Armani revolutionized designer marketing by systematically outfitting Hollywood stars for the Oscars rather than paying direct endorsement fees. Armani opened a Beverly Hills boutique in 1988 and hired a dedicated celebrity wrangler to court top actors, directors, and agents. Instead of paying large sums, he offered selected stars discounts, free red-carpet gown loans, and custom sketches. By 1991, WWD dubbed the Oscars "The Armani Awards."
NBA coach Pat Riley became an unofficial Armani spokesman after wearing his unconstructed suits courtside during the Los Angeles Lakers' championship runs.
The Rise of It Bags
Luxury houses pivoted to high-margin accessories like shoes and handbags. Gucci generated about 56 percent of its 1997 sales from handbags and leather accessories, while apparel accounted for only 10 percent of revenue. Total leather accessory sales reached $555 million that year.
Brands engineered blockbuster handbags to create high-status symbols that drove multi-million-dollar valuations. Fendi introduced the Baguette in 1997, pricing it from $895 to $4,000 depending on materials. The company sold over 300,000 units in its first couple of years, helping spike Fendi's valuation to $950 million when LVMH acquired it in 2001.
Television programming served as a powerful merchandising vehicle that cemented designer accessories as cultural obsessions. Sarah Jessica Parker's character Carrie Bradshaw popularized Manolo Blahnik shoes and the Fendi Baguette on Sex and the City, leading Parker to later launch her own SJP collection with Nordstrom.
3. Celebrity Brands and Socialite Successes
While early apparel licensing deals often struggled with undercapitalization, savvy socialites and footwear experts built billion-dollar empires by mastering retail scarcity and media exposure.
Navigating Apparel Pitfalls
Initial attempts to launch celebrity apparel lines can fail due to undercapitalization and poor execution. Tarrant Apparel Group failed to raise the necessary working capital of $25 million to manufacture and market Jessica Simpson's denim line properly.
Tarrant sued Jessica Simpson for lack of promotion, while Charming Shoppes canceled a $44 million retail order because the merchandise trickle was insufficient.
Shifting a celebrity brand from apparel to footwear capitalizes on higher profit margins and accessory trends. Vince Camuto took over the master license for Jessica Simpson by spending $15 million, pivoting the brand heavily toward footwear. Camuto Group turned Jessica Simpson's platform shoes into a massive hit by combining accessible pricing with comfortable walking designs, reaching an estimated $1 billion in annual retail sales by the end of 2013.
Socialite and Footwear Strategies
Socialites leverage their personal style, high-society connections, and targeted market gaps to launch successful contemporary fashion brands. Tory Burch utilized her background, advice from retail executives, and an initial investment of $2 million from Tory and Chris Burch to start the business.
Tory Burch opened a boutique on the Lower East Side of Manhattan, selling nearly all its $80,000 inventory in a single day. An appearance on Oprah Winfrey's show featuring the brand's signature silk tunics priced at $250 generated eight million hits on toryburch.com and thousands of orders.
Partnering with Vince Camuto's manufacturing expertise, Tory Burch introduced the Reva ballet flat. The Reva flat sold over five million pairs at a retail price of $195, becoming a massive staple.
The Tory Burch brand protected the exclusivity and demand for its popular footwear by intentionally under-shipping retail orders and offering to take back inventory before markdowns occurred. You can protect your brand equity using specific inventory controls:
- Institute a policy to take back merchandise from retailers before they mark it down.
4. Hip-Hop Culture and Fragrance Empires
Traditional fashion insiders protected exclusivity through private showrooms and locked-down guest lists. You can break these old rules by broadcasting your brand directly to the public.
Hip-hop moguls and pop stars revolutionized fashion marketing by broadcasting live runway shows, integrating with music culture, and launching blockbuster celebrity fragrances.
On February 10, 2001, Sean Combs poured about $1 million into a 17-minute televised fashion show for Sean John. The event simulcast on E! and Style cable channels, bringing backstage preparations and the 1200-person audience directly to millions of viewers. A star-studded front row including Busta Rhymes, Mary J. Blige, and Anna Wintour watched buff models walk the runway.
Tommy Hilfiger realized menswear needed an identity driven by pop music rather than fabric quality. His brother Andy distributed free clothing items to hip-hop artists on music video sets and in recording studios. Rapper Grand Puba and his posse once took 300 free items.
In 1994, Snoop Dogg wore a rugby shirt with TOMMY across the front and HILFIGER across the back on Saturday Night Live. That appearance prompted an immediate surge in retail orders.
Sean John established a distinct brand identity through signature items and discreet insignia branding. While early urban brands relied on oversized silhouettes, Sean John introduced a relaxed-fit $120 velour tracksuit with a flat knit collar, elastic ankles, and a neat cursive signature logo. You could buy initial Sean John jeans and T-shirts for a price range of $30 to $120, or luxurious down jackets for $600.
The Fragrance Phenomenon
Celebrity scents soon transformed the beauty industry by proving that star power could generate massive blockbuster sales. You can build a massive revenue stream by driving the scent profile directly.
A celebrity fragrance succeeds when the star participates actively in developing the scent and bottle design.
Unlike his hands-off approach to some apparel design tasks, Combs was obsessively involved in creating the Unforgivable fragrance with Estée Lauder. He spent hours sampling bergamot variants and directing the fragrance profile to reflect freshness and sexy woods that smelled like money. Unforgivable soared to the top of the men's fragrance counter in 2005, with sales exceeding $100 million in its first year.
Jennifer Lopez partnered with Coty and insisted on a clean, soapy, fresh scent for her debut product. She designed a distinctive bottle shape modeled after her curves, combined with a rhinestone collar. Glow by J.Lo retailed at $39 and exploded at retail with $120 million in sales during its first nine months on the market.
The immense success of celebrity fragrances transformed Coty into the world's largest fragrance marketer by attracting top designer brands. Coty expanded its portfolio to include major designer brands like Marc Jacobs and Calvin Klein, alongside a large roster of celebrity scents. Coty's overall sales grew from $2 billion in 2002 to $4.6 billion in 2012, eventually culminating in a public company stock market valuation of $17.8 billion in 2013.
5. Retail Strategies and Designer Television Exposure
Department stores used celebrity fragrances as gateways for millennials, while reality television propelled high-end designers into mainstream household names.
Macy's parlayed celebrity fragrance counters into a strategic advantage, using high-profile launches to lure millennials into physical stores. Once shoppers were hooked on a celebrity scent, they were primed to browse other departments, generating high-margin impulse buys that drove chain-wide sales.
Macy's launched about twenty celebrity fragrances at its Herald Square flagship store between 2002 and 2013, bringing in stars like Justin Bieber and Lady Gaga for massive promotional events. Justin Bieber partnered with Macy's to launch his debut fragrance, Someday, in June 2011, resulting in mobs of fans camping outside and setting a record for Macy's biggest fragrance launch ever. Coty and Lady Gaga promoted her debut fragrance, Fame, as the first-ever black eau de parfum containing extracts of blood and semen, though Gaga later admitted those claims were completely fabricated.
Marcraft Apparel Group teamed up with Donald Trump in 2004 to launch a collection of $400 suits at Macy's, which quickly became an immediate bestseller and beat out established designers in consumer trust surveys. Brown Shoe Company partnered with rock-jazz artist Carlos Santana in 2002 to launch Carlos by Carlos Santana shoes, which became a $200 million-a-year brand heavily popular among Latinas and Black consumers.
The Power of Reality TV
Television reality shows provide a low-risk mechanism for established fashion designers to transform into household-name celebrities and scale their businesses.
Michael Kors initially resisted joining Project Runway in 2003, but after signing on as a judge, his witty critiques and TV exposure turned him into a pop-culture celebrity and propelled his brand's commercial expansion. By the third season, the show averaged 3.4 million viewers per week, and investors Silas Chou and Lawrence Stroll paid $100 million in 2003 for a controlling interest in Kors.
After liquidating his high-end label in 1998, Isaac Mizrahi partnered with Target in 2002 to launch Isaac Mizrahi for Target, which quickly mushroomed into a $300-million-a-year business and pioneered designer collaborations. Michael Kors concluded that fashion schools should change their priorities to prepare students for the modern industry:
- Spend less time working with students on doing sketches.
- Spend more time on media training and how to package themselves.
This media savvy helped the company reach a $3 billion valuation at its December 2011 initial public offering, climbing to $20 billion by 2014.
6. Reality TV Ventures and Luxury Disasters
Reality stars and tabloids capitalized on licensing and digital affiliate marketing, though hasty high-fashion collaborations sometimes resulted in critical disasters.
Reality TV and Digital Monetization
Adrienne Maloof leveraged her visibility from The Real Housewives of Beverly Hills to launch a signature shoe line with Titan Industries. She collected royalties while Titan created the styles, using a fashion show at her Beverly Hills mansion to promote the footwear.
Yakini Etheridge founded RealityTVFashion.com in 2010 to track fashion worn by Black and Latina women on reality shows. You can follow specific steps to monetize similar niches:
- watch reality shows and capture images of fashions directly off the TV screen;
- use Google images and ShopStyle.com to quickly locate matching or similar fashion items;
- link items directly to online retailers via tracking services to collect sales commissions.
In 2013, Atlanta Housewife Porsha Stewart wore a 70-dollar multicolored beaded necklace that helped Etheridge sell around 200 items through Dillard's department stores links. Paris Hilton built an empire of sixteen scents generating over 80 million dollars in annual sales with Parlux Fragrances LLC. By 2014, she expanded to about sixty Paris Hilton Handbag & Accessories stores worldwide, mostly in the Middle East, Asia, and South America.
High Fashion Missteps
The obsession with celebrity wardrobes inspired real crimes when the Bling Ring stole more than 3.5 million dollars of designer clothes, jewelry, and cash from Paris Hilton and other stars. Struggling mass retailers also chased fame by partnering with reality stars. Sears rolled out the Kardashian Kollection at over 700 stores in 2011 to revive declining sales.
Historic luxury houses also gambled on controversial stars for shock value. Emanuel Ungaro appointed 23-year-old actress Lindsay Lohan as artistic advisor in 2009 to generate media noise. Her Paris Fashion Week debut featured cheesy designs like heart-shaped pasties, leading founder Emanuel Ungaro to denounce the show as a disaster.
7. Anti-Celebrity Brands and Collaborative Realities
While some celebrity designers faltered due to technical gaps, minimalist luxury brands and collaborative design teams demonstrated enduring commercial power.
The Limitations of Celebrity Design
Kanye West won 100 music awards, including 14 Grammys, before his fashion career. At 32 years old, he approached legendary New York couturier Ralph Rucci over the summer of 2011. Kanye sank millions into workrooms in London while getting 2 to 3 hours of sleep a night. In 2009, he collaborated with Louis Vuitton on $800 Don sneakers. He also partnered with Nike on the Air Yeezy, which had 3,000 pairs initially made available at a $275 retail price. Those sneakers reached $2,750 on eBay and $90,000 for a pre-owned pair.
Kanye staged his first womenswear runway show on October 1, 2011, with a 9:30 PM start time at Lycée Henri-IV in Paris. Top models walked to his music while front-row critics like Anna Wintour and Robin Givhan dismissed the collection.
Minimalism and Team Success
Mary-Kate and Ashley Olsen debuted during New York Fashion Week in 2006 when they were 19 years old. They invited 100 or so fashion editors and retailers to their first show featuring 20 looks max. The Row introduced a $39,000 alligator backpack exclusively at Barneys when the twins were 25 years old.
Dualstar Entertainment Group managed 52 product categories. Their Walmart tween clothing line generated hundreds of millions in annual sales, contributing to an estimated $970 million in total franchise sales in 2003. Each twin held an estimated net worth of $137 million in 2009. At the June 4, 2012 CFDA gala at Lincoln Center, 67-year-old Lauren Hutton wore The Row. The brand won best womenswear designer of the year 6 years after launch. Gwen Stefani's L.A.M.B. brand claimed $40 million in annual sales a year after its 2003 launch.
8. Modern Design Practices and the Democratization of Fashion
Independent designers and megawatt stars redefined contemporary luxury, completing the broader democratization of fashion driven by fast retail and mass-market collaborations.
Contemporary Design and Independence
Victoria Beckham transitioned from pop celebrity to respected high-end designer by avoiding quick-cash lines. She used private presentations and controlled distribution to build elite waiting lists for her body-con dresses.
On November 28, 2011, Victoria Beckham won best designer brand of the year at the British Fashion Awards at the Savoy Theater in London, beating Tom Ford and Stella McCartney. The Telegraph reported in 2006 that Victoria owned over one hundred Birkin bags worth more than $2 million, including the limited-edition Himalayan Birkin priced at $100,000. Her fashion house generated $7 million in annual sales in its early years, well away from her days selling 38 million records with the Spice Girls.
Phillip Lim achieved profitability in his first year of business in 2005 by combining commercial pragmatism with modern sportswear. By working with minimal staff, he managed high manufacturing batting averages across 240 total garments created for his fall 2009 collection. Rapper Kanye West tapped Phillip Lim to create a white dinner jacket for his Runaway music video in 2010.
Derek Lam and Jan Schlottmann deliberately banished celebrities from their runway shows to keep attention on garment craftsmanship. New York Times fashion critic Cathy Horyn praised Derek Lam's 2012 New York Fashion Week showing of 27 total outfits for its relaxed fit and thoughtful execution.
The Flattened Fashion Landscape
Tom Ford merged elite creative talent with a megawatt public persona to build a global empire. Rapper Jay Z named a 2013 rap track Tom Ford as a validation of the designer's deep penetration into popular culture. John Varvatos leveraged rock-and-roll culture by opening his boutique at 315 Bowery in the former CBGB space. Automaker Chrysler partnered with Varvatos to release a 2012 limited-edition Chrysler 300 with a starting price of $41,000.
Fast-fashion chains disrupted traditional business models by instantly copying runways and offering budget-friendly chic. Zara can create a new style from scratch, manufacture it, and ship it to thousands of global shops in about sixteen days.
The CFDA/Vogue Fashion Fund was born in 2003 to support emerging creative talents against market headwinds. Winners received a maximum grant of $300,000, while finalists collected $100,000. Fund winners such as Proenza Schouler, Rag and Bone, Thom Browne, and Derek Lam achieved both financial and critical success. Mass-market retailers now collaborate with elite designers like Missoni, Phillip Lim, Jason Wu, Prabal Gurung, and Proenza Schouler to release special collections.
10 Key Ideas
- The modern fashion system began when Napoléon III hired tailor Charles Frederick Worth in 1858 to style Empress Eugénie as a living advertisement, establishing seasonal collections, fashion shows, and designer labels.
- Hollywood movie studios seized control of fashion trends in 1929 by banning French couture, using studio costume departments to produce original wardrobes, and launching massive public relations campaigns to position Hollywood as a global style center.
- As casual dress codes homogenized everyday apparel, luxury houses pivoted to high-margin accessories like shoes and handbags while securing strategic celebrity red-carpet placements.
- Elizabeth Taylor legitimized and revolutionized the celebrity fragrance category by utilizing cinematic commercials, personal appearances, and her public vulnerability to generate massive royalty streams with White Diamonds.
- Hip-hop moguls and pop stars revolutionized fashion marketing by broadcasting live runway shows, integrating with music culture, and launching blockbuster celebrity fragrances.
- Television reality shows provide a low-risk mechanism for established fashion designers to transform into household-name celebrities and scale their businesses.
- While some celebrity designers faltered due to technical gaps, minimalist luxury brands like The Row demonstrated enduring commercial power and won top industry awards.
- Fast-fashion chains disrupted traditional business models by instantly copying runways, enabling Zara to create a new style, manufacture it, and ship it to global shops in about sixteen days.
- Michael Kors concluded that fashion schools should change their priorities by spending less time on student sketches and more time on media training and personal packaging.
- Independent designers and megawatt stars redefined contemporary luxury, completing the broader democratization of fashion driven by fast retail and mass-market collaborations.