George Saintsbury undertakes a comprehensive critical survey of medieval European literature, focusing on the crucial turning point when vernacular languages emerged from the shadow of Latin to achieve their own artistic and intellectual forms. The study begins by examining the persistent influence of Latin, noting how it acted as an unwitting schoolmaster to the young vernaculars through its comic verse, its magnificent liturgical hymns—such as the incomparable Dies Iræ—and the rigorous intellectual discipline of scholastic philosophy. While acknowledging that these Latin foundations were essential, the author shifts his primary focus to the great vernacular movements, beginning with the chansons de geste. These early French epics, though marked by a certain thematic monotony and a rugged, primitive simplicity, established a realistic vigor and a monumental prosodic form through the mono-rhymed tirade.
The historical evolution of these national epics is traced across three centuries, detailing how they captured the fierce, pious, and martial temper of the feudal age around figures like Charlemagne and William of Orange. From this foundation, the volume moves into the flourishing of romantic fiction and the concurrent rise of allegory, exploring how the rich narrative traditions of the Middle Ages transformed European thought and expression. The argument develops through meticulous literary history, demonstrating how the complex interplay between popular song, clerical Latinity, and regional dialect forged the modern literary consciousness.
Saintsbury maintains a sharp critical focus throughout, balancing historical contextualization with close formal analysis of the texts. The study avoids romanticizing the period, readily admitting its barbarisms and structural limitations, yet insists upon the immense formative value of its stylistic discipline. While the work stops short of the later Renaissance triumphs, it establishes the necessary historical and aesthetic background for them. The narrative concludes by emphasizing that the literary achievements of the medieval period, particularly in formal prosody and analytical prose, laid the indispensable groundwork for all subsequent European literature.