Green Verditer, 287.
Holy Green, 283.
Hooker's Green, 281.
Hungary Green, 274.
Imperial Green, 271.
Iris Green, 282.
Malachite Green, 274.
Manganese Green, 288.
Marine Green, 271.
Mineral Green, 288.
Mitis Green, 271.
Mixed Green, 277.
Molybdenum Green, 289.
Mountain Green, 274.
Native Green, 267.
Olympian Green, 271.
Opaque Oxide of Chromium, 267.
Oxide of Chromium, 267.
Patent Green, 271.
Persian Green, 271.
Pickle Green, 276.
Prussian Greens, 281.
Quinine Green, 289.
Rinman's Green, 285.
Roman Green, 290.
Sap Green, 282.
Saxon Green, 271.
Sheele's Green, 272.
Schweinfurt Green, 271.
Silicate of Baryta, 290.
Swedish Green, 272.
Terre Verte, 283.
Titanium Green, 290.
Transparent Oxide of Chromium, 268.
True Chrome Green, 267.
True Prussian Green, 281.
Uranium Green, 291.
Vanadium Green, 291.
Venetian Green, 283.
Verde Vessie, 282.
Verdetto, 283.
Verdigris, 276.
Verona Green, 283.
Veronese Green, 268.
Vert de Zinc, 285.
Vienna Green, 271.
Viride Æris, 276.
Viridian, 269.
Zinc Green, 285.
Green, pure, to obtain, 277.
Greens, ancient, 5.
Grey, 28-30, 372.
" and gray, 29, 381.
" as a colour, 381.
" as a pigment, 382.
" colours with, 382, 383.
" on the Neutral, 381.
Серые пигменты:—
Black Lead, 382.
Mixed Grey, 384-386.
Grinding of pigments, 37.
Guido, 8.
Guimet, M., 210, 215.
" Outremer de, 209.
Guimet's Ultramarine, 209.
Gum, Drop, 96
" tragacanth, 66.
Gyges, 7.
H.
Haerlem Blue, 207.
Hamburgh Lake, 137.
" White, 74.
Hampton Court, cartoons at, 10.
Harding's Tint, 380.
Harmony of colour, 13-24.
Hatching of colours, 18.
Haydon, 293.
Hercules Tyrius, 296.
Holy Green, 283.
Hooker's Green, 281.
Houng hoa, 396.
Hues, 27, 30.
Hungary Blue, 189.
" Green, 274.
Hunt, W., 315.
Hypocastanum, 357.
I.
Illumination, Cadmium Orange in, 246.
" Coal-Tar Colours in, 163, 247.
" Manual of, 246.
" Viridian in, 270.
Imperial Green, 271.
Indian Blue, 199.
" Ink, 349, 395.
" Lake, 138.
" Ochre, 146.
" Purple, 298.
" Red, 148.
" Yellow, 98.
Indicum, 199.
Indigo, 199.
" adulteration of, 202.
" possible substitute for, 235.
" proposed Factitious, 202.
Indigofera, 200.
Indium Yellow, 117.
Individually, on Colours and Pigments, 57.
Ink, blue, 207.
" British, 395.
" Chinese, 395.
" green, 276.
" Indelible Brown, 345.
" Indian, 395.
" Liquid Indian, 397.
" red, 145.
Inkfish, the, 348.
Innoxious pigments, 53.
Intense Blue, 202.
" manufacture of, 202.
International Exhibition of 1862, 244, 354.
Invisible Green, 329.
Iodine, 118.
" Blue, 231.
" Pink, 166.
" Scarlet, 150.
" Yellow, 118.
Iridium Blue, 232.
Iris, 228.
" Green, 282.
Iron Browns, 357.
" Ferricyanide of, 208.
" Ferrocyanide of, 203.
" Gambogiate of, 357.
" pigments affected by, 39, 90, 145, 147, 149, 150, 249.
" Prussiate of, 203.
" Smalt, 218.
" Yellow, 102, 118.
Italian Greens, 276, 277.
" Pink, 100.
Italics, numbered colours in, 114, 407.
Italy, colouring in modern, 8.
Ivory Black, 397.
" with Manganese Black, 407.
Ivory Brown, 340.
J.
Japanner's gold size, 51.
Jaune de Cologne, 94.
" Fer, 102.
" Mars, 102.
" Minérale, 94.
Jew's Pitch, 337.
Judea, Bitumen of, 337.
K.
Kermes, 153.
" Lake, 167.
" Mineral, 159.
Key of colouring, 40.
Khair tree, the, 354.
King's Yellow, 111.
Knowledge of pigments, 43, 44.
Kremnitz or Krems White, 72.
Kremser White, 75.
L.
Lac, 138, 167.
" Lake, 138.
Lake, Asphaltic, the, 337.
" Burnt, 198.
" Chinese, 137.
" Citrine, 312.
" Crimson, 135.
" Drop, 131.
" Florentine, 137.
" Green, 288.
" Hamburgh, 137.
" Indian, 138.
" Kermes, 167.
" Liquid Madder, 145.
" Madder, 144.
" Marrone, 369.
" Olive, 331.
" Orange, 258.
" Purple, 137.
" Quercitron, 100, 312.
" Roman, 137.
" Scarlet, 136.
" Venetian, 137.
" Yellow, 100.
Lakes, Cochineal, 131-137.
" Field's, 139-145.
" Madder, 139-145.
" Rubric, 139-145.
" Yellow, 99, 100.
Lamblack, 399.
Lamp Black, 399.
Lapis Lazuli, 209, 217, 219.
Laque de garance, 142.
" Minérale, 258.
Latent colour, 58.
Lawson, Professor, 168.
Lawson's Red, 168.
Layard, Mr., 6, 218.
Lazuline, 217.
Lazulite Blue, 217.
Lazur, Persian and Tartarian, 228.
Lazurium, 217.
Lazurstein, 217.
Lead, acetate or sugar of, 50-52.
" Black, 382, 393.
" carbonate of, 68.
" Chocolate, 368.
" dicarbonate of, 69.
" hydrated oxide of, 68.
" in drying oils, 121.
" Orange, 258
" oxychloride of, 73.
" pigments affected by, 39, 67, 97, 99, 112, 120, 134, 138, 139, 152, 201, 206, 248, 280, 312, 341.
" pigments, avoidance of, 67.
" Red, 151.
" Sulphate of, 72.
" White, 67-70.
" Whites, 67-75.
Leitch's Blue, 199.
" Brown, 346.
Leithner's Blue, 189.
Lemon Cadmium, 91.
" Yellow, 101.
Leonardo da Vinci, 8.
Leyden, Cassius of, 306.
Lichens, 304.
Liege Black, 394.
Свет и воздух, пигменты, подверженные влиянию, 91, 92, 95, 97, 98, 99, 112, 124, 134, 135, 136, 139, 151, 163, 199, 201, 205, 208, 247, 276, 282, 298, 303, 313, 330, 340, 343.
Light, direct and diffused, 391.
" electric, the, 191.
" magnesium, the, 191.
" Red, 149.
Likes and dislikes of pigments, 194.
Lime, pigments affected by, 40, 97, 98, 206, 275, 281.
" with Prussian Blue, 206, 281.
Linear perspective, 22.
Linseed oil with White Lead, 69.
Liquid Asphaltum, 339.
" Indian Ink, 397.
" Madder Lake, 145.
" Prout's Brown, 345.
" Rubiate, 145.
Списки стойких пигментов:—
" Blue, 278, 300.
" Green, 315, 329.
" Orange, 315, 323.
" Purple, 323, 329.
" Red, 253, 300.
" Yellow, 252, 278.
Litharge, 51, 120.
Litmus, 303.
Local colour, 24.
Lombard School, 8.
London White, 73.
M.
Macpherson's Tint, 380.
Madder, 139.
" adulteration of, 140.
" Brown, 365.
" Burnt, 305.
" Carmine, 142.
" " adulteration of, 142.
" colouring matters of, 140.
" Cory's or Cory's Yellow, 119, 353.
" Dr. Schunck on, 140.
" Lake, 144.
" Lakes, 139-145.
" " manufacture of, 141.
" Liquid Lake, 145.
" Orange, 258, 353.
" Pink, 144.
" Purple, 301.
" reds in oil, 144.
" Rose, 143.
" Rubens', 321.
" Yellow, 118, 353.
Magenta, 162.
Majolica, 146.
Malachite Green, 274.
Manganese as a siccative, 51, 77, 406.
" Black, 406.
" Blue, 232.
" Brown, 358.
" Green, 288.
" Red, 168.
Manufacture of Cadmium Yellow, 92.
" Carmine, 134.
" Cobalt Blue, 192.
" Intense Blue, 202.
" Vermilion, 92, 153.
Marine Green, 271.
Marrone, 28.
" analysis of, 377.
" as a colour, 362.
" contrasts of, 362.
" for walls of picture galleries, 363.
" on the Semi-Neutral, 362.
Каштановые пигменты:—
Brown Madder, 365.
Chica Marrone, 367.
Chocolate Lead, 368.
Cobalt Marrone, 368.
Madder Marrone, 369.
Marrone Lake, 369.
Marrone Red, 368.
Mars Marrone, 369.
Mixed Marrone, 367.
Purple Black, 369.
Mars Brown, 313.
" Brun de, 313.
" colours named after, 102, 146.
" Orange, 248.
" Red, 145.
" Rouge de, 145.
" Violet, 290.
" Violet de, 290.
" Yellow, 102.
Massicot, 120.
Mastic varnish, 50.
Mauve, 163.
Mercury, Chromate of, 256.
" marrone, 371.
" white, 79.
Mérimée, 121, 142, 229, 284, 316, 343.
Metallic whites, 79.
Metals, rare, 172.
Michael Angelo, 8.
Mineral Black, 407.
" Blue, 207.
" Brown, 342.
" colours, darkening of, 284.
" Gray, 375.
" Green, 288.
" Green, German, 288.
" Kermes, 159.
" Orange, 258.
" Pitch, 337.
" Purple, 290.
" Turbith, 123.
" Yellow, 106, 116, 121.
Minérale, Jaune, 94.
" Laque, 258.
Miniature painter, a, 401.
Minium, 151, 153.
Mitis Green, 271.
Mixed Colours:— " Black, 402.
" Brown, 346.
" Citrine, 314.
" Gray, 377.
" Green, 277.
" Grey, 384.
" Marrone, 367.
" Olive, 328.
" Orange, 249.
" Purple, 290.
" Russet, 322.
Mixed tints, on, 249-252, 262.
Mixture, a, 199.
" of Bitumen and Mummy, 348.
" of coloured rays, 384.
" of material colours, 384.
" unnecessary, 35.
Modan or Morat White, 80.
Modern pigments, 41-45.
" detractors of, 43-45.
" inferior, 41.
" superior, 42.
Molybdenum Green, 289.
Monicon, 257.
Montabert, De, 405.
Montbeillard, Roman pavement at, 218.
Montpellier Yellow, 121.
Mountain Blue, 228.
" Green, 274.
Mountains, 254.
Mummy, 347.
" Brown, 347.
" and Bitumen, mixed, 348.
Murexide, 169.
Musée Minéralogique, of Paris, 219.
Mutrie, Miss, 143.
" Yellow, 92.
N.
Naphthaline, 162.
Naples Yellow, modern, 104.
" old, 103.
Napoleon, Emperor, 176.
Native Bitumen, 338.
" Green, 267.
" Prussian Blue, 207, 226.
" Ultramarine, 216.
Natural Ultramarine, 216.
Nature, colour in, 311.
" gradation in, 326.
" palette of, 185.
" study of, 24.
Negative colours, 28.
Nepos Cornelius, 295.
Neutral colours, 27.
" Orange, Penley's, 253.
" Tint, 377.
Neutrality and colour, 375, 376.
Neutrals, colour as applied to the, 62.
New Blue, 216.
" pigments, 41-45.
Nickel Brown, 358.
Nineveh, 6, 218.
Nottingham White, 73.
O.
Objectionable pigments, substitutes for, 96, 104, 114.
Ochre, Black, 404 " Blue, 226.
" Brown, 108.
" Browns, 358.
" Burnt Roman, 255.
" Chrome, 267.
" Green, 287.
" Indian, 148.
" Orange, 255.
" Oxford, 109.
" Purple, 290.
" Red, 147.
" Roman, 107.
" Scarlet, 149.
" Spanish, 255.
" Spruce, 108.
" Stone, 109.
" Transparent Gold, 108.
" Yellow, 106.
Ochres and foul air, 359.
" Red, 146-150.
" Yellow, 105-109.
Ocre de Ru, 108
Oil, coal-tar colours in, 247.
" water-colour cakes in, 50.
Oils, 33, 152, 194.
Olive, 28.
" analysis of, 330.
" as a colour, 325.
" contrast of, 325.
" on the Tertiary, 325.
Оливковые пигменты:—
Burnt Verdigris, 331.
Dewint's Green, 330.
Mixed Olive, 328.
Olive Green, 330.
Olive Lake, 331.
Olive Oxide of Chromium, 331.
Olive Rinman's Green, 332.
Olive Scheele's Green, 332.
Olive Schweinfurt Green, 332.
Olive Terre Verte, 333.
Olive purples, 301.
Olympian Green, 271.
O'Neill, Mr., 159.
Opacity of pigments, 48.
Orange, 28, " as a colour, 239.
" as an archeus, 240.
" contrast of, 240.
" discordant, 240.
" on the Secondary, 239.
Оранжевые пигменты:—
Anotta, 255.
Antimony Orange, 256.
Bixine, 256.
Burnt Roman Ochre, 255.
Burnt Sienna, 243.
Burnt Terra di Sienna, 243.
Cadmium Orange, 36, 244.
Chinese Orange, 246.
Chromate of Mercury, 256.
Chrome Orange, 248.
Damonico, 257.
Gamboge Orange, 257.
Golden Sulphur of Antimony, 256.
Golden Yellow, 256.
Laque Minérale, 258.
Madder Orange, 258, 353.
Mars Orange, 248.
Mineral Orange, 248.
Mixed Orange, 249.
Monicon, 257.
Neutral Orange, 253.
Orange Chrome, 248.
Orange Chromate of Lead, 248.
Orange de Mars, 248.
Orange Lake, 258.
Orange Lead, 258.
Orange Ochre, 255.
Orange Orpiment, 258.
Penley's Neutral Orange, 253.
Realgar, 258.
Red Orpiment, 258.
Rocou, 255.
Spanish Ochre, 255.
Terra Orellana, 255.
Thallium Orange, 259.
Uranium Orange, 260.
Zinc Orange, 261.
Orange Russet, 321.
" Vermilion, 157.
" " Field's, 158.
Порядок цветов:—
White, 62-80, 414.
Yellow, 81-126.
Red, 127-182.
Blue, 183-238.
Orange, 239-262.
Green, 263-293.
Purple, 294-309.
Citrine, 310-319.
Russet, 320-324.
Olive, 325-333.
Brown, 334-361.
Marrone, 362-371.
Gray, 372-380.
Grey, 381-386.
Black, 387-413.
Organic pigments with lead chromates, 248.
Orient Yellow, 42, 110.
Original pigments, 35.
" importance of, 240-242.
Orpiment Yellow, 111-113.
Outremer, 217.
Outremer de Guimet, 209.
Oxford Ochre, 109.
Oxidation of pigments, 38.
Oxide, Chrome, 267.
" of Chromium, Green, 267.
" " Opaque, 267.
" " Transparent, 268.
Oxychloride of Lead, 73.
Oxygenated water, 69.
Oyster-shell, white of, 80.
P.
Paille de Mil, 170.
Painting, siliceous, 212.
Pale Cadmium, 90.
" Chrome, 93.
" Vermilion, 154.
" washes of a pigment, 91.
Palette, disinfectants of the, 359.
" motto for the, 156.
" setting the, 23.
Palette-knife, avoidance of a steel, 39, 50, 90, 103.
Palladium, 122.
Paper Black, 407.
" Smalt and Ultramarine in, 196.
" to give a tone to, 253.
Paris Blue, 192, 203.
Paris, Musée Minéralogique at, 219.
" Société d'Encouragement of, 210.
Particular colour, predilection for a, 58, 59.
Patent Green, 271.
" Yellow, 121.
Pattison's White, 73.
Paul Veronese, 229, 335.
Payne's Gray, 378.
Peach Black, 407.
Pearl White, 78.
Peganum Harmala, 171.
Penley, Mr. Aaron, 85-87, 158, 268, 270.
Penley's Neutral Orange, 253.
Perfect pigment, a, 46.
Perkin, Mr. W., 162.
Permanent Blue, 216.
" pigments, 252, 278, 300, 315, 323, 329.
" White, 65.
Peroxidized pigments, 38.
Persian berries, 312.
" Green, 271.
" lazur, 228.
" Red, 148.
Perspective, aerial, 22, 23.
" linear, 22.
" of colours, 22, 23.
Persulphomolybdates, 171.
Philocles, 7.
Phosphine, 162.
Photography, lamp black in, 401.
" pigments generally in, 401.
Pickle Green, 276.
Picric acid, 162.
Picture galleries, 363-365.
Pictures and pigments, 292.
Pigment and colour, 31.
Пигменты, действие огня и времени на 31.
" adulteration of, 70.
" apt to vary, 126, 181.
" beauty in, 46.
" blending of, 37.
" common, 359.
" compound, 36.
" drying of, 50.
" fineness of texture in, 50.
" grinding of, 37.
" individual beauty of, 58.
" innoxious, 53.
" on the Durability and Fugacity of, 31.
" on the General Qualities of, 46.
" opacity and transparency of, 48.
" past and present, 293.
" rays from, 384.
" truth of hue in, 47.
" vehicles with, 48-53.
" working well, 49.
Pink, Brown, 313.
" Dutch, 100.
" English, 100.
" Italian, 100.
" Madder, 144.
" Rose, 173.
" Saucers, 174.
Pitch, Jew's, 337.
" Mineral, 337.
Pittacal, 234.
Platinum Blue, 233.
" Yellow, 121.
Playfair, Dr. Lyon, 355.
Pliny, 7, 153, 198, 218, 295, 338.
Plumbago, 393.
Polygnotus, 9.
Pompeii, 105, 229.
Porcelain, blue for, 235.
" green for, 267.
Poussin, 11, 316.
Powder Blue, 196.
Power of pigments, individual, 59.
Powers of colours, 82.
Practice of Sir J. Reynolds, 37.
Precipitate, Red, 173.
Prevention and cure, 412.
Price, Dr. D. S., 69.
Primary colours, 28.
Principles of practice, 35.
Process, Autotype, 401.
Protoxide, pigments in the state of, 37.
Proust, M., 396.
Prout, Samuel, 346.
Prout's Brown, Liquid, 345.
Prussian Black, 404, 408.
" Copper, 408.
Prussian Blue, 203.
" adulteration of, 203.
" character of, 237, 278, 301.
" Cobalt, 227.
" manufacture of, 203.
" Native, 207, 226.
" want of a permanent, 189.
" with alkalies, 206.
Prussian Brown, 348.
" " French, 255.
" Greens, 281, 282.
" Red, 149.
Prussiate of Copper, 323.
" Iron, 203.
Pure Scarlet, 150.
" Ultramarine, 216.
Purple, 28.
" as a colour, 295.
" as a pigment, 297.
" Black, 369, 408.
" Brown, 359.
" contrast of, 294, 297.
" Lake, 137.
" on the Secondary, 294.
Пурпурные пигменты:—
Archil Purple, 303.
Bismuth Purple, 304.
Burnt Carmine, 298.
Burnt Lake, 298.
Burnt Madder, 305.
Cassius's Purple Precipitate, 306.
Cobalt Purples, 305.
Field's Purple, 301.
Gold Purple, 306.
Indian Purple, 298.
Mars Violet, 290.
Mauve, 163.
Mineral Purple, 290.
Mixed Purple, 290.
Prussian Purple, 307.
Purple Madder, 301.
Purple Ochre, 290.
Purple of Cassius, 306.
Purple Rubiate, 301.
Sandal Wood Purple, 307.
Solid French Purple, 304.
Tin Violet, 308.
Violet Carmine, 302.
Violet de Mars, 290.
Purple, pure, 300.
" Tyrian, 295, 296.
Purpurates, 170.
Purree, 98.
Q.
Qualities of Pigments, on the General, 46.
Queen's Yellow, 123.
Quercitron Lake, 100, 312.
" Yellow, 100.
Quinine Green, 289.
R.
Ramnus infectorius, 315.
Raphael, 8, 9.
Rare Metals, 172.
Raw Sienna, 113.
" Umber, 315.
Rays from pigments, 384.
Real Ultramarine, 216.
Realgar, 258.
Reboulleau's Blue, 230.
Red, 28.
" as a colour, 128.
" contrasts of, 128, 129.
" discordant, 129.
" Marrone, 368.
" on the Primary, 127.
" Orpiment, 258.
Красные пигменты:—
Almagra, 147.
Antimony Red, 159.
Armenian Bole, 147.
Bloodstone, 147.
Brown Red, 147.
Cadmium Red, 130.
Carmine, 133-135.
Carmine Vermilion, 156.
Carnagione, 149.
Chica Red, 159.
Chinese Lake, 137.
Chinese Rouge, 174.
Chinese Vermilion, 156.
Coal-Tar Colours, 160.
Cobalt Reds, 164.
Cochineal Lakes, 131-137.
Copper Reds, 164.
Crimson Lake, 135.
Deep Vermilion, 154.
Dragon's Blood, 137.
English Red, 149.
English Vermilion, 146.
Extract of Vermilion, 157.
Ferrate of Baryta, 165.
Field's Carmine, 142.
Field's Lakes, 139-145.
Field's Orange Vermilion, 158.
Florentine Lake, 137.
Gold Reds, 166.
Hamburgh Lake, 137.
Indian Lake, 138.
Indian Ochre, 146.
Indian Red, 148.
Iodine Pink, 166.
Iodine Scarlet, 150.
Kermes Lake, 167.
Lac Lake, 138.
Lawson's Red, 168.
Light Red, 149.
Liquid Madder Lake, 145.
Liquid Rubiate, 145.
Madder Carmine, 142.
Madder Lake, 144.
Madder Lakes, 139-145.
Magenta, 160.
Majolica, 146.
Manganese Red, 168.
Mars Red, 145.
Mineral Kermes, 159.
Minium, 151.
Murexide, 169.
Ochres, 146-150.
Orange Vermilion, 157.
Paille de Mil, 170.
Pale Vermilion, 154.
Peganum Harmala, 171.
Persian Red, 148.
Persulphomolybdates, 171.
Pink Madder, 144.
Pink Saucers, 174.
Prussian Red, 149.
Pure Scarlet, 150.
Purple Lake, 137.
Red Chalk, 172.
Red Chrome, 151.
Red Lead, 151.
Red Ochre, 147.
Red Precipitate, 173.
Redding, 146.
Roman Lake, 137.
Rose Madder, 143.
Rose Pink, 173.
Rose Rubiate, 145.
Rouge, 173.
Rouge de Mars, 145.
Rubric Lakes, 139-145.
Rufigallic Red, 174.
Sandal Red, 175.
Saturnine Red, 151.
Scarlet Chrome, 151.
Scarlet Lake, 136.
Scarlet Ochre, 149.
Scarlet Vermilion, 156.
Sil Atticum, 147.
Silver Red, 176.
Sinoper, 151.
Sorgho Red, 176.
Spanish Brown, 146.
Spanish Red, 150.
Terra Puzzoli, 149.
Terra Sinopica, 147.
Thallium Red, 177.
Tin Pink, 177.
Ultramarine Red, 178.
Uranium Red, 179.
Venetian Lake, 137.
Venetian Red, 149.
Vermilion, 154.
Vermilions, 153-158.
Wongshy Red, 180.
Reds, ancient, 5.
Relations of colour, 13-24.
Relative durability of colour, 32.
Rembrandt, 11, 345.
Revelation, Book of, 217.
Reynolds, Sir Joshua, 10, 35, 37, 158, 374, 410.
Rinman's Green, 285.
" Olive, 332.
Rocou, 255.
Roman Green, 290.
" Lake, 137.
" Ochre, 107.
" " Burnt, 255.
" painters and painting, 7, 8, 10, 391.
" Sepia, 351.
" White, 74.
Romans, the, 153, 295.
Romulus, 295.
Rosaniline, 162.
Rose, the, 327.
Rousseau, M. E., 414.
Rowbotham, Messrs., 144.
Royal Academy at Burlington House, 365.
" Blue, 196.
Rubens, 11, 37, 64, 157, 283, 334, 374.
" Brown, 359.
" Madder, 321.
Rubia tinctorum, 139.
Rubiate, Purple, 301.
Rue, Dr. Warren de la, 132.
Ruskin, Mr., 13.
Russet, 28.
" analysis of, 330.
" as a colour, 320.
" contrast of, 321.
" on the Tertiary, 320.
Русые пигменты:—
Field's Russet, 321.
Mixed Russet, 322.
Orange Russet, 321.
Prussiate of Copper, 323.
Rubens' Madder, 321.
Russet Rubiate, 321.
S.
Sacc, M., 414.
Safflower, 174.
Samuel Prout, 346.
Sandal Red, 175.
" Wood Purple, 307.
Sandarac, 259.
Sap Green, 282.
Satin White, 80.
Saturnine Red, 151.
Saucers, Pink, 174.
Saunders Blue, 230.
Saxon Blue, 189.
" Green, 271.
" Smalts, 215.
Scarlet Chrome, 151.
" Iodine, 150.
" Lake, 136.
" Ochre, 149.
" Pure, 150.
" transparent, a, reward for, 130.
" " substitute for, 130.
" Vermilion, 156.
Scheele's Green, 272.
" Olive, 332.
Schools of painting, 8-10, 37.
Schunck, Dr., 140.
Schweinfurt Blue, 230.
" Green, 271.
" " Olive, 332.
Scoffern, Dr., 357.
Sea, the Dead, 337.
" transparency of the, 269.
Secondary colours, 28.
" pigments, 242.
Semi-Neutral colours, 29.
" the term, 334.
Semi-stability, on, 308.
Semi-stable pigments, 298, 313.
Sepia, 348, 397.
" Liquid, 348.
" Roman, 350.
" Warm, 351.
Shades, 21.
Shadow, colour of, 27, 30.
Siccatives, 51-53.
Sienna, Burnt, 243.
" Raw, 113.
" Terra di, 113.
Sil Atticum, 147.
Silicate of Baryta, 290.
Siliceous painting, Ultramarine in, 212.
Silver Red, 176.
" White, 71.
Sinoper, 151.
Slate Clays, 380.
" powdered, 380.
Smalt, 195-198.
" adulteration of, 198.
" Copper, 229.
Smalt, grinding of, 197.