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«Справочник по произведениям Роберта Браунинга»

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xvi. 201

372 Last Ride Together, The 1855 iv. 220 v. 96

377 Leighton, A Picture by Fred. See Orpheus and Eurydice 1864 vi. 153 vii. 170

384 Leo, E., translation of the Inn Album 1877

372 Life in a Love 1855 iii. 203 vi. 171

371 Light Woman, A 1855 iv. 217 v. 92

377 Likeness, A 1864 vi. 151 vii. 178

368 Lost Leader, The 1845 iii. 78 vi. 7

368 Lost Mistress, The 1845 iii. 104 vi. 43

372 Love, Another Way of 1855 iii. 195 vi. 161

368 Love and Fame. See Earth's Immortalities 1845 iii. 105 vi. 45

371 Love among the Ruins 1855 iii. 112 vi. 54

371 Love in a Life 1855 iii. 202 vi. 170

372 Love, One Way of 1855 iii. 194 vi. 159

371 Lovers' Quarrel, A 1855 iii. 115 vi. 58

369 Luria 1846 v. 43 vi. 209

389 Macbeth's etchings, Pied Piper 1884

367 Madhouse Cells 1842 v. 229 iv. 199

384 Magical Nature 1876

xiv. 60

389 Mandeville, Bernard de, Parleying with 1887

xvi. 117

367 Marching Along 1842 iii. 75 vi. 3

385 Martin Relph 1879

xv. 3

387 Mason, E. T., Selection by 1883

372 Master Hugues of Saxe-Gotha 1855 iii. 221 vi. 196

373 May and Death 1857 vi. 150 vii. 165

368 Meeting at Night 1845 iii. 106 vi. 46

388 Melon-Seller, The 1884

xvi. 9

372 Memorabilia 1855 iii. 217 vi. 190

371 Men and Women 1855 v. 205 iv. 171

384 "Mermaid," At the 1876

xi. 31

371 Mesmerism 1855 iv. 165 v. 28

388 Mihrab Shah 1884

xvi. 32

372 Misconceptions 1855 iii. 191 vi. 154

368 Morning [Night and Morning] 1845 iii. 107 vi. 46

391 Moscheles, F., Lines on a Picture by 1889

377 Mr. Sludge, the "Medium" 1864 vi. 162 vii. 182

365 Monthly Repository, Poem in 1834

365 —— See "A King lived long ago" (in Pippa Passes) 1835 ii. 219 iii. 1

365 —— "Porphyria" 1836 iv. 299 v. 191

366 —— "Johannes Agricola" 1836 v. 229 iv. 199

366 —— "Still ailing, wind?" See James Lee 1836 vi. 41 vii. 45

392 Muckle-mouth Meg 1890

386 Muléykeh 1880

xv. 108

367 My Last Duchess 1842 iv. 150 v. 8

371 My Star 1855 iii. 170 vi. 125

367 "My Wife Gertrude" (afterwards Boot and Saddle) 1842 iii. 75 vi. 6

388 Names, The (Sonnet) 1884

368 Nationality in Drinks 1844 iii. 85 vi. 16

384 Natural Magic 1876

xiv. 58

377 Natural Theology (Caliban upon Setebos) 1864 vi. 136 xiv. 58

368 "Nay, but you who do not love her" 1845 iii. 107 vi. 47

385 Ned Bratts 1879

xv. 60

368 "Nelson's Memory, Here's to" 1845 iii. 85 vi. 16

387 Never the Time and the Place 1883

xv. 256

368 Night [Night and Morning] 1845 iii. 106 vi. 46

368 "Nobly Cape St. Vincent" 1845 iii. 145 vi. 97

392 Now 1890

384 Numpholeptos 1876

xiv. 63

385 "Oh Love, Love" 1879

388 "Oh, Love—no, Love!" 1884

xvi. 90

368 "Oh to be in England" 1845 iii. 145 vi. 95

372 Old Pictures in Florence 1855 iii. 131 vi. 77

372 One Way of Love 1855 iii. 194 vi. 159

372 One Word more 1855 v. 313 iv. 296

377 Orpheus and Eurydice 1864 vi. 153 vii. 170

384 "O the old wall here" 1876

xiv. 3

384 Pacchiarotto 1876

xiv. 1

387 Pambo 1883

xv. 258

386 Pan and Luna 1880

xv. 159

365 Paracelsus 1835 i. 43 ii. 1

389 Parleyings with Certain People of Importance 1887

xvi. 93

368 Parting at Morning 1845 iii. 107 vi. 46

372 Patriot, The 1855 iv. 149 v. 6

365 Pauline 1833 i. 1 i. 1

392 Pearl (A), a Girl 1890

385 Pheidippides 1879

xv. 17

367 Pictor Ignotus 1845 v. 231 iv. 222

367 Pied Piper of Hamelin 1842 iv. 225 v. 102

389 —— (separate reprint) 1884

391 —— (with illustrations) 1889

386 Pietro of Abano 1880

xv. 117

388 Pillar (A) at Sebzevah 1884

vi. 62

389 Pinwell and Macbeth's illustrations to Pied Piper 1884

366 Pippa Passes 1841 ii. 219 iii. 1

384 Pisgah-Sights, I. and II. 1876

xiv. 49

388 Plot-Culture 1884

xvi. 58

Poems and Poetical Works. See under "Works," also "Selections"

392 Poetics 1890

384 "Poets, (The), pour us wine" 1876

xiv. 141

389 Pomegranates (Selections by Gibson) 1885

392 Ponte dell' Angelo, Venice 1890

372 Popularity 1855 iii. 218 vi. 192

392 Pope (The) and the Net 1890

376 Pornic. Gold Hair, a Legend of 1864 vi. 62 vii. 69

365 Porphyria ["Porphyria's Lover"] 1836 iv. 299 v. 191

371 Pretty Woman, A 1855 iii. 197 vi. 163

383 Prince Hohenstiel-Schwangau 1871

xi. 123

388 "Pray, Reader, have you eaten ortolans?" (Prologue) 1884

xvi. 3

383 Prologue (Fifine at the Fair) 1872

xi. 115

384 —— (Pacchiarotto) 1876

xiv. 3

385 —— (La Saisiaz) 1878

xiv. 155

385 —— (Two Poets) 1878

xiv. 207

386 —— (Dramatic Idyls II.) 1880

xv. 83

386 —— (Jocoseria) 1883

xv. 167

388 —— (Ferishtah's Fancies) 1884

xvi. 3

389 —— (Parleyings, etc.) 1887

xvi. 97

392 —— (Asolando) 1890

377 Prospice 1864 vi. 152 vii. 168

372 Protus 1855 iv. 286 v. 175

367 Queen Worship [Rudel, etc.] 1842 v. 311 iv. 294

377 Rabbi Ben-Ezra 1864 vi. 99 vii. 109

383 Red Cotton Night-Cap Country 1873

xii. 1

393 Rephan 1890

371 Respectability 1855 iii. 201 vi. 168

367 Return of the Druses, The 1843 iii. 229 iii. 167

393 Reverie 1890

382 Ring and the Book, The 1868-9

viii. ix. x.

389 Rolfe, W. J., and Hersey, H. E., Selections by 1886

392 Rosny 1890

367 Rudel and the Lady of Tripoli 1842 v. 311 iv. 294

384 St. Martin's Summer 1876

xiv. 71

369 St. Praxed's, The Tomb at 1845 v. 257 iv. 232

368 "St. Vincent, Nobly Cape" 1845 iii. 145 vi. 97

385 Saisiaz, La 1878

xiv. 153

368 Saul, Part I. 1845 iii. 146 vi. 98

372 —— Part II. 1855 iii. 146 vi. 98

376 Selections from Browning's Works 1863

377 —— (Moxon's) 1865

383 —— (Tauchnitz, Leipzig) 1872

383 —— [First Series] 1872 and

1884

384 —— (Boston, U. S.) 1877

386 —— Second Series 1880

and

1884

386 —— by F.H. Ahn 1882

387 —— by E. T. Mason 1883

387 —— by R. G. White 1883

389 —— by J. M. Gibson 1885

389 —— by Rolfe and Hersey 1886

393 —— Pocket Volume 1890

371 Serenade (A) at the Villa 1855 iii. 191 vi. 155

388 Shah Abbas 1884

xvi. 12

388 Shakespeare, Sonnet on 1884

370 Shelley, Essay on 1852

384 Shop 1876

xiv. 42

369 Sibrandus Schafnaburgensis 1844 iii. 87 vi. 19

377 Sludge, Mr., the "Medium" 1864 vi. 162 vii. 182

390 Smart, Christopher, Parleying with 1887

xvi. 148

387 Solomon and Balkis 1883

xv. 182

367 Soliloquy of the Spanish Cloister 1842 iii. 92 vi. 26

368 Song, "Nay but," etc. 1845 iii. 107 vi. 47

365 Sonnet ("Eyes calm besides thee") 1834

366 Sordello 1840 ii. 1 i. 47

369 Soul's Tragedy, A 1846 v. 1 iii. 257

392 Speculative 1890

389 Spring Song 1886

xvi. 219

371 Statue and the Bust, The 1855 iv. 288 v. 178

366 "Still ailing, wind?" (James Lee) 1836 vi. 41 vii. 45

366 Strafford 1837 i. 207 ii. 187

385 "Such a starved bank of moss" [Proem to Two Poets of Croisic] 1878

xiv. 207

392 Summum Bonum 1890

388 Sun, The 1884

xvi. 24

392 "The Poet's age is sad" 1890

367 Through the Metidja to Abd-el-Kadr 1842 iii. 83 vi. 13

368 Time's Revenges 1845 iv. 178 v. 44

371 Toccata (A) of Galuppi's 1855 iii. 127 vi. 72

369 Tokay, Claret and 1844 iii. 85 vi. 16

369 Tomb (The) at Saint Praxed's 1845 v. 257 iv. 232

377 Too Late 1864 vi. 85 vii. 94

386 "Touch him ne'er so lightly" 1880

xv. 164

372 "Transcendentalism" 1855 v. 207 iv. 173

385 Tray 1879

xv. 57

371 Twins, The 1854 iv. 216 v. 90

388 Two Camels 1884

xvi. 47

372 Two in the Campagna 1855 iii. 188 vi. 150

370 Two Poems. See "The Twins"

385 Two Poets of Croisic 1878

xiv. 209

371 Up at a Villa—Down in the City 1855 iii. 122 vi. 66

384 Wall, A. (Prologue) 1876

xiv. 3

387 Wanting is—What? 1883

xv. 167

367 Waring 1842 iv. 206 v. 78

385 "What a pretty tale you told me" [Epil. to Two Poets of Croisic] 1878

xiv. 273

392 Which? 1890

387 White, R. G., Selections by 1883

392 White Witchcraft 1890

389 Why I am a Liberal 1885

391 "Wind wafted from the sunset" 1889

365 Wise, T. J., edition of Pauline 1886

371 Woman, A Pretty 1855 iii. 197 vi. 163

371 Woman's Last Word, A 1855 iii. 108 vi. 48

372 Women and Roses 1855 iii. 209 vi. 180

387 Wollstonecraft (Mary) and Fuseli 1883

xv. 195

378 Woolner, A Group by. See Deaf and Dumb 1868 vi. 220 vii. 250

370 Works (Collective Editions), 2 vols 1849

373 —— 3 vols 1863

377 —— 3 vols 1864

378 —— 6 vols 1868

383 —— (Chicago) 1872-74

390 —— 16 vols 1888-89

—— See also Selections.

376 Worst of It, The 1864 vi. 70 vi. 78

386 "You are sick" (Prologue) 1880

xv. 83

377 Youth and Art 1864 vi. 154 vii. 171

"Z," Poems so signed. See "Monthly Repository,"

УКАЗАТЕЛЬ ПЕРВЫХ СТРОК КОРОТКИХ СТИХОТВОРЕНИЙ.

НОВОЕ ЕДИНОЕ ИЗДАНИЕ.

A certain neighbour lying sick to death xvi. 19

A Rabbi told me: On the day allowed xv. 146

Ah, but how each loved each, Marquis! xv. 188

Ah, did you once see Shelley plain vi. 190

Ah, Love, but a day vii. 45

All I believed is true! v. 28

All I can say is—I saw it! xiv. 58

All June I bound the rose in sheaves vi. 159

All's over, then: does truth sound bitter vi. 43

All that I know vi. 125

Among these latter busts we count by scores v. 175

And so you found that poor room dull xiv. 70

"And what might that bold man's announcement be" xvi. 24

Anyhow, once full Dervish, youngsters came xvi. 12

As I ride, as I ride vi. 13

"As like as a Hand to another Hand!" vii. 62

"Ay, but, Ferishtah,"—a disciple smirked xvi. 58

Beautiful Evelyn Hope is dead! vi. 51

Boot, saddle, to horse, and away! vi. 6

But do not let us quarrel any more iv. 221

But give them me, the mouth, the eyes, the brow! vii. 170

Christ God who savest man, save most v. 11

Cleon the poet (from the sprinkled isles) iv. 279

Could I but live again xiv. 51

Dear and great Angel, wouldst thou only leave vi. 187

Dear, had the world in its caprice vi. 168

Dervish—(though yet un-dervished, call him so xvi. 6

Escape me? vi. 171

Fear death?—to feel the fog in my throat vii. 168

Fee, faw, fum! bubble and squeak! v. 167

First I salute this soil of the blessed, river and rock! xv. 17

Flower—I never fancied, jewel—I profess you! xiv. 60

Fortù, Fortù, my beloved one v. 54

Going his rounds one day in Ispahan xvi. 9

Grand rough old Martin Luther v. 90

Grow old along with me! vii. 109

Gr-r-r—there go, my heart's abhorrence! vi. 26

Had I but plenty of money, money enough and to spare vi. 66

Hamelin Town's in Brunswick v. 102

"Heigho!" yawned one day King Francis v. 36

Here is a story shall stir you! Stand up, Greeks dead and gone xv. 85

Here is a thing that happened. Like wild beasts whelped, for den xv. 26

Here's my case. Of old I used to love him xiv. 54

Here's the garden she walked across vi. 19

Here was I with my arm and heart vii. 94

High in the dome, suspended, of Hell, sad triumph, behold us! xv. 199

Hist, but a word, fair and soft! vi. 196

How of his fate, the Pilgrims' soldier-guide xvi. 40

How very hard it is to be v. 264

How well I know what I mean to do vi. 126

I and Clive were friends—and why not? Friends! I think you laugh, my lad xv. 88

I am a goddess of the ambrosial courts iv. 181

I am indeed the personage you know xiv. 86

I am poor brother Lippo, by your leave! iv. 205

I could have painted pictures like that youth's iv. 202

I dream of a red-rose tree vi. 180

I know a Mount, the gracious Sun perceives iv. 294

I leaned on the turf vii. 54

I—"Next Poet?" No, my hearties xiv. 31

I only knew one poet in my life iv. 176

I said—Then, dearest, since 't is so v. 96

I send my heart up to thee, all my heart v. 66

I sprang to the stirrup, and Joris, and he vi. 9

I've a Friend, over the sea v. 44

I will be quiet and talk with you vii. 51

I wish that when you died last May vii. 165

I wonder do you feel to-day vi. 150

If a stranger passed the tent of Hóseyn, he cried "A churl's!" xv. 108

If one could have that little head of hers vii. 176

Is all our fire of shipwreck wood vii. 47

It is a lie—their Priests, their Pope vi. 34

It once might have been, once only vii. 171

It was roses, roses, all the way v. 6

June was not over vi. 161

Just for a handful of silver he left us vi. 7

Karshish, the picker up of learning's crumbs iv. 186

Kentish Sir Byng stood for his King vi. 3

King Charles, and who'll do him right now? vi. 5

"Knowledged deposed, then!"—groaned whom that most grieved xvi. 62

Let them fight it out, friend! things have gone too far vi. 183

Let's contend no more, Love vi. 48

Let us begin and carry up this corps v. 154

"Look, I strew beans" xvi. 69

May I print, Shelley, how it came to pass xiv. 104

Morning, evening, noon and night v. 19

Moses the Meek was thirty cubits high xv. 254

My first thought was, he lied in every word v. 194

My grandfather says he remembers he saw, when a youngster long ago xv. 3

My heart sank with our claret-flask vi. 16

My love, this is the bitterest, that thou vi. 142

Nay but you, who do not love her vi. 47

Never any more vi. 175

Never the time and the place xv. 256

Nobly, nobly Cape Saint Vincent to the North-west died away vi. 97

"No boy, we must not"—so began xiv. 117

No, for I'll save it! Seven years since vii. 246

No more wine? then we'll push back chairs and talk iv. 238

No protesting, dearest! xiv. 71

Now, don't, sir! Don't expose me! Just this once! vii. 182

Now that I, tying thy glass mask tightly vi. 30

O the old wall here! How I could pass xiv. 3

O worthy of belief I hold it was xv. 159

Of the million or two, more or less v. 24

Oh but is it not hard, Dear? xv. 195

Oh Galuppi, Baldassaro, this is very sad to find! vi. 72

Oh, good gigantic smile o' the brown old earth vii. 61

Oh, Love—no, Love! All the noise below, Love xvi. 90

Oh, the beautiful girl, too white vii. 69

Oh, to be in England vi. 95

Oh, what a dawn of day! vi. 58

On the first of the Feast of Feasts vii. 250

On the sea and at the Hogue, sixteen hundred ninety two xiv. 77

One day it thundered and lightened xv. 197

Only the prism's obstruction shows aright vii. 167

Out of the little chapel I burst v. 209

Over the ball of it xiv. 49

Petrus Aponensis—there was a magician! xv. 117

Plague take all your pedants, say I! vi. 22

Pray, Reader, have you eaten ortolans xvi. 3

Query: was ever a quainter xiv. 5

Quoth an inquirer, "Praise the Merciful!" xvi. 32

Quoth one: "Sir, solve a scruple! No true sage xvi. 47

Room after room vi. 170

Round the cape of a sudden came the sea vi. 46

Said Abner, "At last that art come! Ere I tell, ere thou speak vi. 98

See, as the prettiest graves will do in time vi. 45

Shall I sonnet-sing you about myself? xiv. 39

She should never have looked at me vi. 39

Sing me a hero! Quench my thirst xv. 57

So far as our story approaches the end v. 92

So, friend, your shop was all your house! xiv. 42

So, I shall see her in three days vi. 172

Solomon King of the Jews and the Queen of Sheba Balkis xv. 182

Some people hang portraits up vii. 178

Stand still, true poet that you are! vi. 192

Still ailing, Wind? Wilt be appeased or no? vii. 56

Still you stand, still you listen, still you smile! xiv. 63

Stop, let me have the truth of that! vii. 85

Stop playing, poet! May a brother speak? iv. 173

Suppose that we part (work done, comes play) xv. 258

[Supposed of Pamphylax the Antiochene vii. 120

Take the cloak from his face, and at first vi. 186

That fawn-skin-dappled hair of hers vi. 163

That second time they hunted me v. 47

That's my last Duchess painted on the wall v. 8

That was I, you heard last night vi. 155

The grey sea and the long black land vi. 46

The Lord, we look to once for all v. 161

The morn when first it thunders in March vi. 77

"The poets pour us wine—" xiv. 141

The rain set early in to-night v. 191

The swallow has set her six young on the rail vii. 4

There is nothing to remember in me vii.

There's a palace in Florence, the world knows well v. 178

There's heaven above, and night by night iv. 199

There they are, my fifty men and women iv. 296

"They tell me, your carpenters," quoth I to my friend the Russ xv. 32

This is a spray the Bird clung to vi. 154

This now, this other story makes amends xv. 209

Touch him ne'er so lightly, into song he broke xv. 164

'Twas Bedford Special Assize, one Daft Midsummer's Day xv. 60

Vanity, saith the preacher, vanity! iv. 232

Wanting is—what? xv. 167

We were two lovers; let me lie by her xiv. 61

What, I disturb thee at thy morning-meal xvi. 53

What is he buzzing in my ears? vii. 162

What's become of Waring v. 78

Where the quiet-coloured end of evening smiles vi. 54

'Will sprawl, now that the heat of day is best vii. 149

Will you hear my story also xv. 169

Would it were I had been false, not you! vii. 78

Would that the structure brave, the manifold music I build vii. 101

"You are sick, that's sure"—they say xv. 83

You know, we French stormed Ratisbon v. 3

Your ghost will walk, you lover of trees vi. 92

You're my friend v. 116

УКАЗАТЕЛЬ.

Abt Vogler, 244.

Adam, Lilith and Eve, 325.

После, 294-5.

Andrea del Sarto, 249.

Another Way of Love, 284.

Any Wife to Any Husband, 227.

Apparent Failure, 307.

Appearances, 298.

Апология Аристофана; или, Последнее приключение Балаустионы, с «Гераклом», 123-27.

Artemis Prologizes, 119.

В «Русалке», 213.

Приключение Балаустионы, с «Алкестидой», 123.

Before, 294.

Bifurcation, 217.

Bishop Blougram's Apology, 172.

Bishop orders his Tomb at Saint Praxed's Church, The, 246.

Blot in the 'Scutcheon A, 62.

Boy and the Angel, The, 301.

By the Fireside, 226.

Caliban upon Setebos; or, Natural Theology in the Island, 195.

Cavalier Tunes, 299.

Cenciaja, 269.

"Childe Roland to the Dark Tower Came, 273.

Christmas Eve and Easter-Day, 179.

Cleon, 193.

Clive, 316.

Colombe's Birthday, 65.

Confessional, The, 252.

Confessions, 297.

Count Gismond, 300.

Cristina, 225.

Cristina and Monaldeschi, 324.

Deaf and Dumb: a group by Woolner, 204.

Death in the Desert, A, 198.

«De Gustibus —» 286.

Dîs aliter Visum; or, Le Byron de Nos Jours, 217.

Doctor ——, 320.

Donald, 322.

Earth's Immortalities, 293.

Echetlos, 315.

Englishman in Italy, The, 287.

Epilogue to "Dramatic Idyls," 2nd series, 315.

Эпилог к «Dramatis Personæ», 240.

Epilogue to "Pacchiarotto and other Poems," 213, 215.

Epilogue to "The Two Poets of Croisic" (a tale), 222.

Epistle, An, 194.

Eurydice to Orpheus: a picture by Leighton, 248.

Evelyn Hope, 225.

Face, A, 247.

Fears and Scruples, 241.

Ferishtah's Fancies, 331.

Fifine at the Fair, 150.

Filippo Baldinucci on the Privilege of Burial, 281.

Flight of the Duchess, The, 274.

Flower's Name, The, (Garden Fancies, I.), 293.

Forgiveness, A, 252.

Fra Lippo Lippi, 242.

Glove, The, 301.

Gold Hair: a Story of Pornic, 303.

Grammarian's Funeral, A, 296.

Guardian-Angel, The: a picture at Fano, 248.

Halbert and Hob, 310.

Heretic's Tragedy, The; a Middle-Age Interlude, 270.

Hervé Kiel, 303.

Holy-Cross Day, 277.

Home-Thoughts, from Abroad, 286.

Home-Thoughts, from the Sea, 293.

House, 216.

How it strikes a Contemporary, 212.

«Как они везли благую весть из Гента в Экс», 300.

In a Balcony, 73.

In a Gondola, 230.

Incident of the French Camp, 300.

Inn Album, The, 262.

Instans Tyrannus, 304.

In Three Days, 230.

Introduction to "The Two Poets of Croisic" (Apparitions), 222.

Italian in England, The, 305.

Ivàn Ivànovitch, 311.

Ixion, 325.

James Lee's Wife, 232.

Jochanan Hakkadosh, 326.

Johannes Agricola in Meditation, 296.

King Victor and King Charles, 58.

Laboratory, The, 250.

La Saisiaz, 188.

Last Ride Together, The, 295.

Life in a Love, 228.

Light Woman, A, 216.

Likeness, A, 298.

Lost Leader, The, 292.

Lost Mistress, The, 229.

Love among the Ruins, 225.

Love in a Life, 228.

Love, one Way of, 229.

Lover's Quarrel, A, 226.

Luria, 70.

Magical Nature, 222.

Martin Relph, 309.

Mary Wollstonecraft and Fuseli, 325.

Master Hugues of Saxe-Gotha, 210.

May and Death, 297.

Meeting at Night, 304.

Memorabilia, 295.

Mesmerism, 305.

Misconceptions, 293.

Мистер Сладж, «Медиум», 175.

Muléykeh, 317.

My Last Duchess, 250.

My Star, 293.

Nationality in Drinks, 292.

Natural Magic, 222.

Ned Bratts, 313.

Never the Time and the Place, 330.

Numpholeptos, 221.

Old Pictures in Florence, 208.

One Word More. To E. B. B., 219.

Pacchiarotto, and How He Worked in Distemper, 279.

Pambo, 330.

Pan and Luna, 321.

Paracelsus, 22.

Parleyings with Certain People of importance in their Day, 339.

Parting at Morning, 304.

Patriot, The; an Old Story, 304.

Pauline, 18.

Pheidippides, 310.

Pictor Ignotus, 245.

Pied Piper of Hamelin, The; a Child's Story, 302.

Pietro of Abano, 318.

Pippa Passes, 55.

Pisgah-Sights, I., 218.

Pisgah-Sights, II., 218.

Popularity, 212.

Porphyria's Lover, 231.

Pretty Woman, A, 293.

Prince Hohenstiel-Schwangau, Saviour of Society, 161.

Prologue to "Dramatic Idyls," 2nd series, 315.

Пролог к «Паккьяротто и другим стихотворениям», 222.

Prologue to "La Saisiaz" (Pisgah-Sights, III.), 299.

Prospice, 221.

Protus, 306.

Rabbi Ben Ezra, 203.

Red Cotton Night-Cap Country; or, Turf and Towers, 255.

Respectability, 216.

Return of the Druses, The, 60.

Ring and the Book, The, 75.

Rudel to the Lady of Tripoli, 230.

Saul, 238.

Serenade at the Villa, A, 229.

Shop, 216.

Sibrandus Schafnaburgens's (Garden Fancies, II.), 284.

Soliloquy of the Spanish Cloister, 251.

Solomon and Balkis, 323.

Song, 300.

Sordello, 28.

Soul's Tragedy, A, 68.

Statue and the Bust, The, 205.

St. Martin's Summer, 299.

Strafford, 53.

Through the Metidja to Abd-el-Kadr, 304.

Time's Revenges, 305.

Toccata of Galuppi's, A, 247.

Too Late, 236.

«Трансцендентализм: поэма в двенадцати книгах», 212.

Transcripts from the Greek, 118.

Tray, 313.

Twins, The, 302.

Two in the Campagna, 228.

Two Poets of Croisic, The, 266.

Up at a Villa—Down in the City, 283.

Чего не хватает — что? 322.

Waring, 307.

Woman's Last Word, A, 229.

Women and Roses, 294.

Worst of it, The, 236.

Year, In a, 294.

Youth and Art, 298.

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