Yours to serve you,
Roger de Coverley.
We've lost old John since you were here.'
Footnote 1: Alexander the Great Providore Spectator's Prunella Spectator 'neat natural wines, fresh and in perfection; being bought by Brooke and Hellier, by whom the said Tavern will from time to time be supplied with the best growths that shall be imported; to be sold by wholesale as well as retail, with the utmost fidelity by his old servant, trusty Anthony, who has so often adorned both the theatres in England and Ireland; and as he is a person altogether unknowing in the wine trade, it cannot be doubted but that he will deliver the wine in the same natural purity that he receives it from the said merchants; and on these assurances he hopes that all his friends and acquaintance will become his customers, desiring a continuance of their favours no longer than they shall find themselves well served.'
Spectator
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cross-reference: return to Footnote 3 of No. 358
Содержание Содержание, стр. 3
№ 265
Thursday, January 3, 1712
Аддисон
Dixerit e multis aliquis, quid virus in angues
Adjicis? et rabidæ tradis ovile lupæ?
Ov.
an Animal that delights in Finery
Pinacle As Nature on the contrary 1 British
moulting Season
One 2 Indian English
Will. Honeycomb Iris Dryden's Virgil
Will Morocco Melesinda
Cornelia
Honeycomb's Ovid Will Ovid Ovid Aurora
As 3 British Greek
4
Footnote 1: On the contrary as Nature
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Footnote 2: Feuille mort
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Footnote 3: 'I will not meddle with the Spectator. Let him fair-sex it to the world's end.'
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Footnote 4: T 268
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Содержание Содержание, стр. 3
№ 266
Friday, January 4, 1712
Стил
Id vero est, quod ego mihi puto palmarium,
Me reperisse, quomodo adolescentulus
Meretricum ingenia et mores possit noscere:
Mature ut cum cognórit perpetuo oderit.
Ter. Eun. Act. 5, Sc. 4.
s Will. Honeycomb
Covent-Garden James-street Bumper This under 1 newly come upon the Town Fletcher's The Humorous Lieutenant. Leucippe C Her Maidenhead will yield me; let me see now;
She is not Fifteen they say: For her Complexion—-
Cloe, Cloe, Cloe, here I have her,
Cloe, the Daughter of a Country Gentleman;
Here Age upon Fifteen. Now her Complexion,
A lovely brown; here 'tis; Eyes black and rolling,
The Body neatly built; she strikes a Lute well,
Sings most enticingly: These Helps consider'd,
Her Maidenhead will amount to some three hundred,
Or three hundred and fifty Crowns, 'twill bear it handsomly.
Her Father's poor, some little Share deducted,
To buy him a Hunting Nag—
As Cloe 350 2 Leucippe's
Whether she was well educated, could forbear playing the Wanton with Servants, and idle fellows, of which this Town is too full Whether she knew enough of Breeding, as that if a Squire or a Gentleman, or one that was her Betters, should give her a civil Salute, she should curtsy and be humble, nevertheless. forsooths, yes's, and't please you's, and she would do her Endeavour his and , these 3 Plain-Dealer 4 Will
Footnote 1: under in
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Footnote 2:
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Footnote 3: . These
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Footnote 4: Plain-Dealer billet doux
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Содержание Содержание, стр. 3
№ 267
Saturday, January 5, 1712
Аддисон
Cedite Romani Scriptores, cedite Graii.1
Propert
There more irksome than 2 Milton's Paradise Lost Divine Poem will alledge 3 Adam Æneas Eve
Helen
Iliad Æneid The 4 should 5 Iliad Æneid Paradise Lost Homer to Horace 6 gone Leda's Egg Helen Troy artfully 7 material them 8 Æneas Tyrrhene Italy Latium Troy Virgil Æneid Milton Paradise Lost
Aristotle himself Homer 9 Greek Some Æneid also labours 10 On Incidents 11 Simplicity; uniform in its Nature, tho' diversified in the Execution. 12
Virgil Roman Carthaginian Milton Fall of Man short The Spanish Frier The Double Discovery 13
entire Aristotle Achilles Æneas's Italy Milton The Order 14
Greatness Achilles Greece Troy Æneas's Italy Cæsars Roman Milton's
will Æneid Iliad Virgil's 15 kind 16 Iliad derogating from 17 Paradise Lost
Aristotle just 18 Homer and
Virgil Iliad Æneid Invention 19 Episodes Milton's Iliad Æneid Fall of Man Homer Virgil Milton
Iliad Æneid Milton's
This Piece of Criticism on shall be carried on in the following Saturdays Papers
Footnote 1: 'Give place to him, Writers of Rome and Greece.'
Spectator's Tatler Paradise Lost Tatlers Spectators 'Whate'er his pen describes I more than see,
Whilst ev'ry verse, array'd in majesty,
Bold and sublime, my whole attention draws,
And seems above the critics' nicer laws.'
Spectator Juvenal Persius "As for Mr. Milton, whom we all admire with so much Justice, his Subject, is not that of an Heroick Poem, properly so call'd: His Design is the Losing of our Happiness; his Event is not prosperous, like that of all other Epique Works" (Dryden's French spelling of the word Epic is suggestive. For this new critical Mode was one of the fashions that had been imported from Paris); "His Heavenly Machines are many, and his Human Persons are but two. But I will not take Mr. Rymer's work out of his Hands: He has promised the World a Critique on that Author; wherein, tho' he will not allow his Poem for Heroick, I hope he will grant us, that his Thoughts are elevated, his Words sounding, and that no Man has so happily copy'd the manner of Homer; or so copiously translated his Grecisms and the Latin Elegancies of Virgil. 'Tis true he runs into a Flat of Thought, sometimes for a Hundred Lines together, but 'tis when he is got into a Track of Scripture ... Neither will I justify Milton for his Blank Verse, tho' I may excuse him, by the Example of Hanabal Caro and other Italians who have used it: For whatever Causes he alledges for the abolishing of Rhime (which I have not now the leisure to examine), his own particular Reason is plainly this, that Rhime was not his Talent; he had neither the Ease of doing it, nor the Graces of it."
The Tragedies of the Last Age consider'd and examined by the Practice of the Ancients and by the Common Sense of all Ages, in a letter to Fleetwold Shepheard, Esq Spectator "With the remaining Tragedies I shall also send you some reflections on that Paradise Lost of Milton's, which some are pleased to call a Poem, and assert Rhime against the slender Sophistry wherewith he attaques it."
Juvenal Persius Reflections on Aristotle's Poesie Gondibert Davideis Paradise Lost 'There is no arriving at Perfection but by these Rules, and they certainly go astray that take a different course.... And if a Poem made by these Rules fails of success, the fault lies not in the Art, but in the Artist; all who have writ of this Art, have followed no other Idea but that of Aristotle.'
'to say the truth, what is good on this subject is all taken from Aristotle, who is the only source whence good sense is to be drawn, when one goes about to write.'
the Laws of Poetry 'Mr. Addison in the Spectators, in his criticisms upon Milton, seems to have mistaken the matter, in endeavouring to bring that poem to the rules of the epopœia, which cannot be done ... It is not an Heroic Poem, but a Divine one, and indeed of a new species. It is plain that the proposition of all the heroic poems of the ancients mentions some one person as the subject of their poem... But Milton begins his poem of things, and not of men.'
Vom Wunderbaren in der Poesie Spectator Paradise Lost
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Footnote 2: so irksom as
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Footnote 3: say
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Footnote 4: Poetics 'with respect to that species of Poetry which imitates by Narration ... it is obvious, that the Fable ought to be dramatically constructed, like that of Tragedy, and that it should have for its Subject one entire and perfect action, having a beginning, a middle, and an end;'
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Footnote 5: Poetics 'Epic Poetry agrees so far with Tragic as it is an imitation of great characters and actions.'
'all the parts of the Epic poem are to be found in Tragedy, not all those of Tragedy in the Epic poem.'
return
Footnote 6: Nec reditum Diomedis ab interitu Meleagri,
Nec gemino bellum Trojanum orditur ab ovo,
Semper ad eventum festinat, et in medias res,
Non secus ac notas, auditorem rapit—
De Arte Poet.
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Footnote 7: with great Art
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Footnote 8: the Story
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Footnote 9: Poetics 'there is less Unity in all Epic imitation; as appears from this—that any Epic Poem will furnish matter for several Tragedies ... The Iliad, for example, and the Odyssey, contain many such subordinate parts, each of which has a certain Magnitude and Unity of its own; yet is the construction of those Poems as perfect, and as nearly approaching to the imitation of a single action, as possible.'
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Footnote 10: labours also
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Footnote 11: Circumstances
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Footnote 12: Simplicity
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Footnote 13: Spanish Friar Works 'the felicity does not consist in the ingenuity of his original conception, but in the minutely artificial strokes by which the reader is perpetually reminded of the dependence of the one part of the Play on the other. These are so frequent, and appear so very natural, that the comic plot, instead of diverting our attention from the tragic business, recalls it to our mind by constant and unaffected allusion. No great event happens in the higher region of the camp or court that has not some indirect influence upon the intrigues of Lorenzo and Elvira; and the part which the gallant is called upon to act in the revolution that winds up the tragic interest, while it is highly in character, serves to bring the catastrophe of both parts of the play under the eye of the spectator, at one and the same time.'
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Footnote 14:
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Footnote 15: Æneid 'And as young striplings whip the top for sport,
On the smooth pavement of an empty court,
The wooden engine files and whirls about,
Admir'd, with clamours, of the beardless rout;
They lash aloud, each other they provoke,
And lend their little souls at every stroke:
Thus fares the Queen, and thus her fury blows
Amidst the crowds, and trundles as she goes.'
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Footnote 16: nature
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Footnote 17: offence to
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Footnote 18: Poetics
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Footnote 19: Intervention
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Содержание Содержание, стр. 3
№ 268
Monday, January 7, 1712
Стил
—Minus aptus acutis
Naribus Horum Hominum.
Hor.
Mr. Spectator1,
'As you are Spectator-General, I apply myself to you in the following Case; viz. I do not wear a Sword, but I often divert my self at the Theatre, where I frequently see a Set of Fellows pull plain People, by way of Humour and2 Frolick, by the Nose, upon frivolous or no Occasions. A Friend of mine the other Night applauding what a graceful Exit Mr. Wilks made, one of these Nose-wringers overhearing him, pinched him by the nose. I was in the Pit the other Night, (when it was very much crowded) a Gentleman leaning upon me, and very heavily, I very civilly requested him to remove his Hand; for which he pulled me by the Nose. I would not resent it in so publick a Place, because I was unwilling to create a Disturbance; but have since reflected upon it as a thing that is unmanly and disingenuous, renders the Nose-puller odious, and makes the Person pulled by the Nose look little and contemptible. This Grievance I humbly request you would endeavour to redress.
I am your Admirer, &c.
James Easy.
Mr. Spectator,
Your Discourse of the 29th of December on Love and Marriage is of so useful a Kind, that I cannot forbear adding my Thoughts to yours on that Subject. Methinks it is a Misfortune, that the Marriage State, which in its own Nature is adapted to give us the compleatest Happiness this Life is capable of, should be so uncomfortable a one to so many as it daily proves. But the Mischief generally proceeds from the unwise Choice People make for themselves, and Expectation of Happiness from Things not capable of giving it. Nothing but the good Qualities of the Person beloved can be a Foundation for a Love of Judgment and Discretion; and whoever expects Happiness from any Thing but Virtue, Wisdom, Good-humour, and a Similitude of Manners, will find themselves widely mistaken. But how few are there who seek after these things, and do not rather make Riches their chief if not their only Aim? How rare is it for a Man, when he engages himself in the Thoughts of Marriage, to place his Hopes of having in such a Woman a constant, agreeable Companion? One who will divide his Cares and double his Joys? Who will manage that Share of his Estate he intrusts to her Conduct with Prudence and Frugality, govern his House with Œconomy and Discretion, and be an Ornament to himself and Family? Where shall we find the Man who looks out for one who places her chief Happiness in the Practice of Virtue, and makes her Duty her continual Pleasure? No: Men rather seek for Money as the Complement of all their Desires; and regardless of what kind of Wives they take, they think Riches will be a Minister to all kind of Pleasures, and enable them to keep Mistresses, Horses, Hounds, to drink, feast, and game with their Companions, pay their Debts contracted by former Extravagancies, or some such vile and unworthy End; and indulge themselves in Pleasures which are a Shame and Scandal to humane Nature. Now as for the Women; how few of them are there who place the Happiness of their Marriage in the having a wise and virtuous Friend? one who will be faithful and just to all, and constant and loving to them? who with Care and Diligence will look after and improve the Estate, and without grudging allow whatever is prudent and convenient? Rather, how few are there who do not place their Happiness in outshining others in Pomp and Show? and that do not think within themselves when they have married such a rich Person, that none of their Acquaintance shall appear so fine in their Equipage, so adorned in their Persons, or so magnificent in their Furniture as themselves? Thus their Heads are filled with vain Ideas; and I heartily wish I could say that Equipage and Show were not the Chief Good of so many Women as I fear it is.
After this Manner do both Sexes deceive themselves, and bring Reflections and Disgrace upon the most happy and most honourable State of Life; whereas if they would but correct their depraved Taste, moderate their Ambition, and place their Happiness upon proper Objects, we should not find Felicity in the Marriage State such a Wonder in the World as it now is.
Sir, if you think these Thoughts worth inserting among3 your own, be pleased to give them a better Dress, and let them pass abroad; and you will oblige Your Admirer,
A. B.
Mr. Spectator,
As I was this Day walking in the Street, there happened to pass by on the other Side of the Way a Beauty, whose Charms were so attracting that it drew my Eyes wholly on that Side, insomuch that I neglected my own Way, and chanced to run my Nose directly against a Post; which the Lady no sooner perceived, but fell out into a Fit of Laughter, though at the same time she was sensible that her self was the Cause of my Misfortune, which in my Opinion was the greater Aggravation of her Crime. I being busy wiping off the Blood which trickled down my Face, had not Time to acquaint her with her Barbarity, as also with my Resolution, viz. never to look out of my Way for one of her Sex more: Therefore, that your humble Servant may be revenged, he desires you to insert this in one of your next Papers, which he hopes will be a Warning to all the rest of the Women Gazers, as well as to poor
Anthony Gape.
Mr. Spectator,
I desire to know in your next, if the merry Game of The Parson has lost his Cloak, is not mightily in Vogue amongst the fine Ladies this Christmas; because I see they wear Hoods of all Colours, which I suppose is for that Purpose: If it is, and you think it proper, I will carry some of those Hoods with me to our Ladies in Yorkshire; because they enjoyned me to bring them something from London that was very New. If you can tell any Thing in which I can obey their Commands more agreeably, be pleased to inform me, and you will extremely oblige
Your humble Servant
Oxford, Dec. 29.
Mr. Spectator,
Since you appear inclined to be a Friend to the Distressed, I beg you would assist me in an Affair under which I have suffered very much. The reigning Toast of this Place is Patetia; I have pursued her with the utmost Diligence this Twelve-month, and find nothing stands in my Way but one who flatters her more than I can. Pride is her Favourite Passion; therefore if you would be so far my Friend as to make a favourable Mention of her in one of your Papers, I believe I should not fail in my Addresses. The Scholars stand in Rows, as they did to be sure in your Time, at her Pew-door: and she has all the Devotion paid to her by a Crowd of Youths who are unacquainted with the Sex, and have Inexperience added to their Passion: However, if it succeeds according to my Vows, you will make me the happiest Man in the World, and the most obliged amongst all
Your humble Servants.
Mr. Spectator,
I came to4 my Mistress's Toilet this Morning, for I am admitted when her Face is stark naked: She frowned, and cryed Pish when I said a thing that I stole; and I will be judged by you whether it was not very pretty. Madam, said I, you shall5 forbear that Part of your Dress; it may be well in others, but you cannot place a Patch where it does not hide a Beauty.
Footnote 1:
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Footnote 2:
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Footnote 3: amongst
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Footnote 4: at
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Footnote 5: should
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Содержание Содержание, стр. 3
№ 269
Tuesday, January 8, 1712
Аддисон
—Ævo rarissima nostro
Simplicitas—
Ovid.
Roger De Coverley Gray's-Inn As Roger Eugene 1
Eugenio Scanderbeg
Grays-Inn Walks
Sunday Barrow
Will Wimble Upon Will made 2 Will Tom Touchy
Moll White Roger
Roger Christmas Roger Christmas is Poverty and Cold 3 Christmas Will Wimble
then 4 England Christmas
Roger Andrew Freeport Andrew Andrew
Eugenio British dwelt Baker's who 5
Squire's Supplement
Footnote 1:
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Footnote 2: had made
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Footnote 3: Cold and Poverty
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Footnote 4:
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Footnote 5: that
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Содержание Содержание, стр. 3
№ 270
Wednesday, January 9, 1712
Стил
Discit enim citius, meminitque libentius illud,
Quod quis deridet, quam quod probat.
Hor.
do The Scornful Lady 1
Roger Welford as one sent four or five Miles in a Morning on Foot for Eggs. Roger Roger