88. Гравёры по стали и другим материалам. Steel and copper engraving require a very good knowledge of drawing, and careful manipulation. A great advantage has been gained by substituting steel for copper plates. One beauty of steel engraving is that it can be done at home. Men like easy employments, and so have appropriated this one. An engraver must learn to convey the feelings of an artist. Lithography has seriously interfered with steel engraving, and photography has to some extent. There are very few journeymen engravers. Most go into business for themselves. Some women are employed in engraving copper cylinders for calico prints. Line and stipple are the most expensive engraving. Mezzotint is cheaper. Boys practise on copper, and do not work on anything valuable until they are able to engrave well. One reason that engravers do not like to take apprentices is, that they cannot do any thing under two or three years, of any value to their employer, but expect to be paid from the first. Besides, an engraver seldom has enough of such engraving as a learner can do to keep him constantly employed. Those who receive apprentices in New York take them for five years, and pay something from the first; but very few men in New York, in any branch of work, are willing to take apprentices. Much of the success of a learner depends on his inclination, taste, and individual exertion; and when he possesses these, they render him valuable to his master—so it proves a matter of mutual interest. All engraving is mechanical to a certain extent, but requires some artistic taste. In "Women Artists" we find the names of some ladies distinguished as engravers in Italy, France, Germany, and England, in the sixteenth, seventeenth, eighteenth, and nineteenth centuries. Jane Taylor and her sisters paid their share of the family expenses by engraving. Miss Caroline Watson was an engraver of portraits to the queen in the reign of George III. Angelica Kauffman and Elizabeth Blackwell both engraved on steel. We read: "In London, recently, one accomplished female engraver has turned her steel plates into a pleasant country house, which she means to furnish with the proceeds of her delicate painting on glass." In Paris, during the last thirty years, quite a number of ladies have earned a livelihood by steel engraving, and several are now employed there in card engraving, and engraving fashion plates. There are some engravers in the South and West, but there are openings for more. A card, seal, medal, and door-plate engraver writes: "The usual number of hours for engravers are from eight to ten. The business may be learned in from one to two years, to be of use; but to learn thoroughly requires three or four years. The business generally pays well by jobs, and I see no reason why females may not engrave as successfully as males with the same application."
89. Гравёры банкнот. "Steel engraving was first practised in England by the calico printers; but it was first employed for bank notes and for common designs by Jacob Perkins, of Newburyport, Mass." The American Bank Note Company, New York, employ about sixty girls, forty-seven of whom are engaged in printing or making impressions; the others in drying, assorting, and laying together the sheets to be placed under a hydraulic press. It requires but a few weeks to learn the part done by girls. Some are paid $3 and some $3.50 per week. They are mostly American girls. A lady told me that she heard a girl, who had been employed to cut up bank notes (done with scissors), say she often earned $9 a week. The company pay a boy $3 a week from commencement until through his apprenticeship, which is usually four or five years. Here a man can earn $100 a week, if a first-class bank note engraver; but in England not more than $10 or $12. There, however, paper money is but little used; a £5 note being the smallest in value. Bank note engraving is both mechanical and artistic. At the office of the National Bank Note Company, a gentleman showed me the various processes. He had often thought ladies would do well to learn bank note engraving. I saw two or three gentlemen engraving. The process is simple, but requires a good deal of patience and practice. Their girls are employed to place the sheet for an impression under a roller, and, after the impression is made, remove it. Some receive $3, and some $3.50 a week. It is dirty work, on account of the oil and ink used. Their girls wash every evening the blankets used on the cylinders. Bank-note engravers of the first order receive a salary of $4,000. Some receive from $2,000 to $3,000 per annum. Bank note engravers work but eight hours a day. Mr. M. thinks there would not be much difficulty, if a lady wanted to learn bank note engraving, from the prejudices of men, for some of them are not only just but generous. One of the gentlemen engraving knew several ladies in England that were bank note engravers.
90. Гравёры визитных карточек. I was told by a card engraver that it was not usual to pay a learner anything. He gives his apprentice only his board the first year. A card engraver may draw letters well, and not be able to write well, and vice versa. One should be steady and patient to draw and form letters, and possess some natural taste, to succeed. It requires also much practice. A card engraver can earn $5 a day, if he is industrious, and has sufficient work. A journeyman is paid in proportion to his abilities, from $5 to $25 per week. Some card engravers earn $2,000 a year, clear of all expenses. The older a city, the more engraving is done. In Europe, first-class merchants never use type cards, but engraved ones.
91. Гравёры дверных табличек. I was told by a door plate engraver that a skilful person, who would apply himself closely, could learn the business, so that, at the end of one year, he could make a living. For door plate engraving, it is necessary to form letters well. The size of the letters for a given space must be divided by the eye. It requires great care, as one badly formed letter would spoil the whole plate. Engraving of any kind fatigues the back from stooping, and the eyes from straining. In door plate engraving the eyes suffer least fatigue. Of course less strength is necessary for plate engraving if the tools are of a good quality and in proper order.
92. Гравёры карт. Map engraving is divided into two kinds: the lettering and plain work. The last can be learned in six months by a person of taste and talent. The most that is needed is practice. A knowledge of drawing is not necessary for this branch. There is not much map engraving done in this country, because of the expense. Most is done in New York and Philadelphia. The best map engraving done in Paris is executed by ladies. There are also some ladies employed in map engraving in London, and card engraving is there quite common for ladies.
93. Гравёры картин и геральдики. Engraving pictures pays well—a man often earning $10 a day. A superior landscape engraver calculates to earn $2,500 a year. Mr. R. historical engraver, does the engraving for the Cosmopolitan Art Journal. He says: "In England, better prices are paid for historical engraving than here. Those who do the work receive less, but the employer has a greater profit than in the United States. More time is allowed the engraver in England to execute a piece of work." Mr. R. pays his hands from $7 to $10 a week, and the best historical engraver never gets in this country over $30 a week. In England the work hours of an engraver are nine; here seven. He says the art is dying out both here and in England. It is a something in which we can always be improving. Seven years was formerly the length of apprenticeship in England, and there an apprentice was paid nothing while learning; on the contrary, the parent usually pays a premium of £100. When an apprentice has finished, he will earn £1 a week, and continue to receive more according to his skill and ability. Some people send pictures from the United States to England to be engraved, saying they cannot do such work in this country as in England; while, if they would pay the same price, and allow the engravers as much time, it could be done just as well. Such an engraving as you would pay $150 for here, in England you would pay $200 for. In England it is customary for an engraver to confine himself to one style; for instance, in "Falstaff Mustering his Recruits," one engraver would do the wall, another the figures, and another the drapery. Mr. R. was paid only $2,000 for engraving "Falstaff Mustering his Recruits," and it took three men two years. The business is not unhealthy, and not injurious to the eyesight, although a glass must be used constantly. Mr. J., historical engraver, used to have persons employed that did the different parts of a picture, and he paid them each from $15 to $25 a week. He thinks, of those who learn metal engraving in Europe, not more than fifty per cent. pursue it as a vocation, and not above four per cent. attain perfection. Some engraving, both picture and letter, is done by etching, but the best and most expensive with a graver. Mr. J. M. Sartain writes in answer to a circular: "I have no females in my employment, because I work alone. To direct others or alter what they do wrong, takes longer than doing the whole work myself. Neither do I know of females being employed by others in my branch of business. But if I were willing to be troubled with the teaching of any one at all, I should choose a female. This is from my experience of the males I taught in times past. Women have the requisites more than men—patience, neatness, delicacy; and the occupation is as suitable for them as any other they are accustomed to adopt. An unmarried daughter of mine is about to learn from me, with a view to follow it as a profession. The chance of employment is however very limited, for the reason that the cost of printing plates separately necessitates, in an extensive class of pictorial embellishments, the use of woodcuts. This wood engraving is equally suited for females, and to a limited extent they are thus employed. The field in that branch is a wide one already, with a constantly increasing demand. In my own branch of engraving, the kind of skill required is that of drawing. The mere mechanical skill required in any kind of engraving is easily attained; but the art of drawing is the great thing, and positively demands aptitude and taste—at all events, quite close application and earnestness. Skill in drawing is a key that admits to a wider range of arts than I can readily enumerate, and successful and profitable employment in any engraving depends on that. I am chairman of the committee on instruction of the Board of Directors of the Pennsylvania Academy of the Fine Arts, and in that capacity do all I can (as do also the other directors) to encourage female talent. We have seven or eight ladies among our students, and they certainly are fully equal to the males in capacity for acquiring art. Some model, others only draw. The whole of our academy studies are gratuitous. For whatever branch of the fine arts is to be followed, the first requisite is drawing, and the next is drawing, and the third and last is drawing." Mr. B., heraldic chaser, says there are several processes in making heraldry plates, sketching, engraving, embossing, chasing, and burnishing. He used to employ girls to burnish. The making of patterns for heraldry is never taught in this country to women, as it would cause the labor of men so employed to depreciate. He pays a man from $15 to $20 a week for chasing. He charges $1 for finding the coat of arms of an individual or family.
94. Телеграфисты. A new source of employment has been opened by the invention of the electric telegraph. Most of the telegraphing in England is done by women, and in the United States a number of ladies are employed as operators. To a quick and intelligent mind it requires but a short time to learn. An English paper says: "Here women do the business better than men, because of the more undivided attention they pay to their duties; but considerable inconvenience is found to result from their ignorance of business terms, which causes them to make mistakes in the messages sent. However, a short course of previous instruction easily overcomes this impediment." We have been told that, in one telegraph office in London, several hundred women are employed. I hope the application of steam to the operations of the electric telegraph may not interfere with the entrance of women into the occupation. In New Lisbon, Ohio, a young woman was employed, a few years ago, as principal operator in a telegraph office, with the same salary received by the man who preceded her in that office. "I was told by her," writes my informant, "that several women were qualifying themselves, in Cleveland, for the same occupation." The ex-superintendent of a line writes: "I have long been persuaded that ultimately a large proportion of the telegraphists, employed exclusively for writing, would be females, both because of their usually reliable habits, their ability to abstract and concentrate thought upon their engagements, their greater patience and industry, and the economy of their wages. In offices where there is a large amount of business, and, consequently, much intercommunication with customers, I have supposed the arrangement would be to have a clerk to receive and deliver communications, and the corps of operators and writers, composed exclusively of females, in an adjoining or upper room, apart from public inspection. And to this arrangement, I think, there is at this time very little to oppose, except the antagonism naturally felt by male operators, who see in it a loss of employment to themselves, and a want of proper facilities for teaching and obtaining a complement, in number, of female telegraphists. Any female proficient in orthography, with an inclination to useful employment, would make a good telegraphist, and might readily command, under a system above indicated, a salary of from $300 to $500, and be profitable to her employers beyond the ordinary male telegraphists employed under the present arrangement of office. It is in operating by the Morse system that ladies are mostly or entirely employed. The Morse is the easiest. They telegraph in small towns, where there is not much to do, and the compensation is small." The Electric Telegraph Company in London suggests that women should be employed in preference to men, as working more rapidly. All the lady telegraphists we have heard of gave satisfaction to all parties concerned. To Mr. A., connected with the New York and Boston telegraph line, I am indebted for the following information: "Women are employed in operating the Morse instrument. They are paid from $6 to $25 per month, and are paid by the month. For the class of offices in which females are employed, about the same wages are paid both sexes. It requires from three to six weeks to learn, and nothing is paid while learning. The qualifications needed are a fair knowledge of orthography, arithmetic, geography, and ordinary mechanical ability. We may want a few operatives, say six annually. The employment is constant, and about ten hours a day are devoted to work. We employ about fifty women, and they only at small offices. Nearly all are American. The employment is comfortable. There are no parts of our occupation suitable for women in which they are not engaged. They are generally more attentive and trustworthy than men. The price they pay for board depends on the locality, say from $1.50 to $2 per week."
95. Вокалисты. This is an important and profitable employment—one that has secured to many a poor foreigner visiting this country a snug little fortune. We have only to cite the cases of Jenny Lind, Garcia, Sontag, Parodi, and Catherine Hays. It was stated in the New York Tribune of December, 1853, that Catherine Hays had sent $50,000 to purchase an estate in Ireland. American talent is in some cases very highly cultivated; but we fear the Scripture verse applies to the substantial encouragement of native vocalists amongst us: "A prophet is not without honor, save in his own country, and in his own house." Too much money and attention, we think, are lavished upon foreign vocalists, while home talent is depreciated. An American singer must often go to other countries and acquire a name, before she is received with eclat in her own. It may be that other countries have the same failing, but, we think, not to the same extent. Let us love American talent, and encourage it before every other. Adelaide Patti, Miss Hinckley, and Miss Kellogg are at present the most noted singers of American birth. Mr. C. told me, that in New York, lady singers receive from $100 to $400 per annum for singing in churches. One lady choir-singer of whom we knew, received $500 a year, singing twice on Sabbath. Not more than from twelve to fifteen lady singers in New York receive over $350. One lady in a fashionable church receives $1,000; but she is a widow, and somewhat favored. Another lady, leading the choir in a Broadway church, receives a salary of $1,000, I have been told.
96. Мастера восковых изделий. I called on two Italians that make wax fruit; their baskets vary in price from twenty-five cents to $2. It would take a day and a half to make a $2 basket. The Italian that could speak some English told me that when he goes out to work, he charges $2.50 a day; but to give lessons, he would charge $2 a day. He thought an individual might learn in eight, ten, twelve, or fifteen lessons, according to abilities and taste. Miss W., teacher of wax flowers, charges $1 a lesson, and thinks eight or ten lessons sufficient. She thinks in country places there would be openings for teachers. I think, where there are large seminaries, a teacher would do better. She says there is an opening in Troy. If a person has enough to do, it pays well. She makes by hand; they are more natural than those made by moulds.