«Шекспир и писатели-эмблематисты»

347 IV. 1 124 Envy, description of 432, 433

360 V. 1 54 Appreciation of melody 116

361 V. 1 70 Power of music 271, 273

AS YOU LIKE IT.

II. 391 I. 3 69 Juno’s swans, Golding’s Ovid 244

393 I. 3 120 Ganymede, Golding’s Ovid 244

394 II. 1 29 The wounded stag 397, 398

400 II. 4 43 Sword broken on an anvil 326, 327

405 II. 7 13 A motley fool 485

406 II. 7 43 “A motley coat” 485

409 II. 7 136 Theatre of human life. Plate XIV. 405, 406

409 II. 7 137 Theatre of human life 133, 405

409 II. 7 139 The seven ages of man. Plate XV. 407, 409

427 III. 3 67 Hawking 366, 368

442 IV. 3 15 The Phœnix 234, 236

THE TAMING OF THE SHREW.

III. 10 Ind. 2 41 Hawking 366, 367

10 Ind. 2 47 Mythological pictures by Titian 114

10 Ind. 2 47 Cytherea, Io, Daphne, Apollo 115

10 Ind. 2 52 Jupiter and Io 246

10 Ind. 2 55 Daphne and Apollo 296, 297

23 I. 2 24 Two Italian sentences 163

45 II. 1 338 Beautiful furniture described 112

67 IV. 1 174 Falconry 366, 367

78 IV. 3 165 “honour peereth in the meanest habit.” Plate XVI. 490

ALL’S WELL THAT ENDS WELL.

III. 112 I. 1 76 Symbolical imagery 377

119 I. 2 58 Bees,—and native land 361, 365

123 I. 3 73 A lottery 208, 210

127 I. 3 182 Cupid and the sieve 329, 330

132 II. 1 40 “cicatrice an emblem of war” 9

133 II. 1 59 The Fox and the Grapes 310, 311

201 V. 3 5 Niobe’s children slain 292, 293

TWELFTH NIGHT.

III. 223 I. 1 9 Actæon and the hounds 277, 278

224 I. 1 33 “The rich golden shaft” 404

225 I. 2 10 Arion and the dolphin 280, 282

231 I. 3 127 Zodiac,—Taurus. Plate XIII. 353, 355

234 I. 5 50 Mottoes,—Latin, &c. 138

240 I. 5 214 Power of judging artistic skill 113

257 II. 5 15 A turkey-cock 357

257 II. 5 27 A turkey-cock 357

265 III. 1 68 Snatches of French 163

271 III. 2 73 New map with the Indies 352

285 III. 4 340 Whitney’s Introduction 464

THE WINTER’S TALE.

III. 323 I. 2 115 The wounded deer 398, 400

371 IV. 1 7 Old Time, power of 473

382 IV. 4 116 Proserpina,—see Ovid 244

383 IV. 4 135 Poetic ideas, or symbolical imagery 379

420 V. 2 8 “Julio Romano” 110

422 V. 3 14 Description of statuary 109

423 V. 3 18 Sleep and death, Holbein’s Simulachres 469, 470

424 V. 3 63 Description of statuary 189

KING JOHN.

IV. 17 II. 1 134 Hares biting a dead lion 305, 306

26 II. 1 373 Theatre of human life. Plate XIV. 405, 406

37 III. 1 96 Gold on the touchstone 177, 180

42 III. 1 258 Snake on the finger 342, 343

65 IV. 2 125 Occasion, 259; or Fortune 261, 264

67 IV. 2 170 Mercury mending a lute 256, 257

76 IV. 3 155 Wind, sun, and traveller 166

91 V. 7 1 The swan, the Poet’s badge 218, 219

RICHARD II.

IV. 116 I. 1 202 Wreath of chivalry 169, 170

125 I. 3 129 Envy 432, 433

130 I. 3 275 “no virtue like necessity” 347

131 I. 3 294 “the frosty Caucasus” 347

137 II. 1 53 Wreath of chivalry 169, 170

140 II. 1 120 The Pelican 393, 396

145 II. 1 270 hollow eyes of death 339

164 III. 2 12 Snake in the grass 340, 343

164 III. 2 24 Cadmus and the serpent’s teeth 245

164 III. 2 29 Human dependence 465

165 III. 2 37 Drake’s ship 413, 415

168 III. 2 129 Countryman and serpent 197, 198

179 III. 3 178 Phaeton and the Sun-chariot 285, 286

210 V. 3 57 Countryman and serpent 197, 198

FIRST PART HENRY IV.

IV. 317 IV. 1 97 Ostrich with spreading wings 370

318 IV. 1 104 Mercury 255, 257

323 IV. 3 30 Sir Walter Blount 160

337 V. 2 82 Time leading the Seasons. Plate XVII. 491

342 V. 4 25 Hydra slain by Hercules 374, 375

SECOND PART HENRY IV.

IV. 392 II. 2 41 Time terminates all 323

405 II. 4 165 Sword with Spanish motto 137, 138

431 IV. 1 70 Occasion, 259; Fortune 261, 264

450 IV. 4 103 Hands of Providence. Plate XVI. 489

453 IV. 5 35 Sleep and Death, Holbein’s Simulachres 469, 470

454 IV. 5 75 Bees 361, 364

474 V. 3 136 Prometheus chained 266, 358

KING HENRY V.

IV. 491 I. Chor. 5 Diligence and idleness 145, 146

493 I. 1 35 Hydra slain by Hercules 374, 375

502 I. 2 178 Bees 360, 362

538 III. 4 1 Snatches of French 163

543 III. 6 20 Image of Fortune 261, 262

544 III. 6 44 Thread of life 454, 455

549 III. 7 10 Pegasus 141, 142

550 III. 7 54 French and Latin proverb 144

552 III. 7 130 The mastiff praised 483

555 IV. 1 3 “goodness out of evil” 447

555 IV. 1 9 Time irrevocable. Plate XVII. 491

564 IV. 1 256 Sound sleep of the slave 147

574 IV. 4 2 Snatches of French 163

582 IV. 7 82 Human dependence 465

588 IV. 8 100 Human dependence 465

591 V. 1 13 Turkey-cock 357, 358

596 V. 2 48 Evils of war 147

598 V. 2 107 Snatches of French 163

FIRST PART HENRY VI.

V. 8 I. 1 127 “A Talbot! a Talbot!” 207

14 I. 2 129 Halcyon days 392

20 I. 4 49 Adamant on the anvil 347, 348

25 I. 6 6 Adonis’ gardens, Golding’s Ovid 243

29 II. 1 78 The cry, “A Talbot! a Talbot!” 207

32 II. 3 11 The cry, “A Talbot! a Talbot!” 207

33 II. 3 36 A picture gallery named 114

36 II. 4 30 Rose and thorn 333, 334

40 II. 5 28 Death 469

68 IV. 1 188 Chaos,—discord 450, 453

71 IV. 3 17 Prometheus bound 266, 268

72 IV. 3 47 Prometheus bound 267, 268

78 IV. 6 46 Icarus and his ill fortune 288, 291

80 IV. 7 60 Order of St. Michael 227

80 IV. 7 60 Order of the Golden Fleece 227, 228

82 IV. 7 92 Phœnix 386, 388

86 V. 3 30 Circe 252

SECOND PART HENRY VI.

V. 129 I. 4 16 Ban-dog 484

132 II. 1 1 Falconry 366, 367

145 II. 3 45 Pine-trees in a storm 477

153 III. 1 55 Fox and Grapes 310, 312

153 III. 1 69 Jackdaw in peacock’s feathers 312

158 III. 1 224 Snake in the grass 340, 341

162 III. 1 343 Countryman and serpent 197, 198

162 III. 1 360 The porcupine 231, 232

168 III. 2 125 Bees 361, 363

171 III. 2 232 Conscience 421, 422

174 III. 2 310 Envy 432, 433

182 IV. 1 83 The pelican 393, 394, 397

185 IV. 2 27 Thread of life 454, 455

197 IV. 7 49 Latin proverb, “bona terra,” &c. 139

206 IV. 10 23 Ostrich eating iron 233, 234

213 V. 1 143 Bear and ragged staff 237, 239

215 V. 1 196 Bear and ragged staff 237, 240

217 V. 2 28 The game of chess 320

217 V. 2 28 French proverb, “La fin couronne,” &c. 320

218 V. 2 45 Æneas and Anchises 191, 192

THIRD PART HENRY VI.

V. 244 I. 4 16 Phaeton 285, 286

245 I. 4 35 Phœnix 385, 386, 388

245 I. 4 39 Leash of proverbs 318

252 II. 1 50 Cupid felling a tree 324

252 II. 1 68 Human skull 337, 339

271 II. 6 10 Phaeton 285, 287

280 III. 2 48 Many drops pierce the stone 324

281 III. 2 51 Inverted torch 171, 173, 174

284 III. 2 153 Bear, cub, and Cupid 349, 350

285 III. 2 188 Countryman and serpent, Sinon 197, 200

309 IV. 4 32 Olive branch and laurel crown 223

312 IV. 7 24 Fox and Grapes 310, 312

319 V. 1 34 Atlas 245

319 V. 1 54 Wrongs on marble 458, 461

324 V. 3 1 Four wreaths on a spear 221, 222

325 V. 4 1 Ships sailing 435, 436, 438

329 V. 5 25 Æsop 303

332 V. 6 18 Icarus 288, 290

KING RICHARD III.

V. 473 I. 1 1 “Sun of York” 223

580 IV. 2 8 Gold on the touchstone 177, 180

583 IV. 2 65 D. O. M. 464

606 IV. 4 418 The phœnix 385, 389

615 V. 2

Sir James Blount 160

617 V. 3 30 Sir James Blount 160

625 V. 3 181 Laurel, type of conscience 422, 425

KING HENRY VIII.

VI. 3 Prol. 15 A motley coat 485

45 II. 3 60 Gem in a ring of gold 418, 419

46 II. 3 75 Gem in a ring of gold 418, 420

56 III. 1 1 Orpheus and his harp 271, 274

76 III. 2 372 Laurel, type of conscience 422, 424

79 III. 2 446 D. O. M. 465

84 IV. 1 81 Emblems literally 9

87 IV. 2 27 Wrongs on marble 458, 459

88 IV. 2 77 Swan, the Poet’s badge 218, 219

103 V. 3 10 D. O. M. 464

104 V. 3 43 Envy 432, 433

114 V. 5 28 Phœnix 385, 390

TROILUS AND CRESSIDA

VI. 130 I. 1 94 Daphne 295, 296

134 I. 2 100 Epithet golden 403, 404

142 I. 3 33 Ship sailing forward 436, 439

142 I. 3 33 Perseus’ horse 299, 300

142 I. 3 39 Pegasus 143

143 I. 3 49 Oak and reed, or osier 315, 316

144 I. 3 75 Bees 360, 361, 363

144 I. 3 75 Chaos 449, 451

155 I. 3 391 Ban-dog, or Mastiff 483

164 II. 2 81 Paris and Helen 463

164 II. 2 92 Paris and Helen 463

168 II. 3 9 Mercury 255, 257

169 II. 3 18 Envy 432, 433

175 II. 3 189 Cancer,—Zodiac. Plate XIII. 353, 355

177 II. 3 237 Milo 297

178 II. 3 240 Milo 244, 344

191 III. 2 169 Astronomer, magnet, polestar 335, 337

198 III. 3 145 Active exertion demanded 378

201 III. 3 196 Hand of Providence 489

228 IV. 5 183 Pegasus 299, 300

230 IV. 5 223 Setting sun 323

247 V. 3 37 “kindness befitting a lion” 282

253 V. 5 11 Sagittary,—Zodiac. Plate XIII. 353, 355

259 V. 9 21 Hares biting a dead lion 304, 305

261 V. 11 16 Niobe and her children 292, 294

CORIOLANUS.

VI. 287 I. 3 7 Wreath of oak 224, 225

304 I. 9 58 Wreaths of victory 221, 225

312 II. 1 109 Wreath of oak 224, 226

323 II. 2 84 Wreath of oak 224, 225

344 III. 1 161 D. O. M. 465

369 IV. 1 44 Gold on the touchstone 175, 177, 181

380 IV. 5 100 Sword on an anvil 325, 326

403 V. 2 102 Oak and reed, or osier 315, 316

407 V. 3 101 Great Roman names 201

411 V. 3 206 Great Roman names 201

TITUS ANDRONICUS.

VI. 450 II. 1 5 The zodiac. Plate XIII. 353

451 II. 1 14 Prometheus chained 266, 268

451 II. 1 18 Sirenes 253, 254

456 II. 2 1 Tabley Old Hall, chimneypiece 131

459 II. 3 55 Actæon and hounds 277, 279

472 III. 1 12 “to write in the dust” 461

483 III. 2 9 Theatre of human life. Plate XIV. 405, 406

490 IV. 1 85 Wrongs on marble 458, 460

490 IV. 1 102 Wrongs on marble 458, 460

492 IV. 2 18 Conscience, power 420

501 IV. 3 52 The zodiac. Plate XIII. 353, 354

522 V. 2 192 Progne 193

527 V. 3 85 Countryman and serpent,Sinon 200

ROMEO AND JULIET.

VII. 23 I. 4 4 Cupid hoodwinked 329, 331

30 I. 5 41 Gem set in gold 418, 420

42 II. 3 90 Venus dispensing Cupid from his oaths 327

58 II. 4 187 Astronomer and magnet 187, 335

59 II. 5 8 Doves and winged Cupid 245

72 III. 2 1 Phaeton 285, 286

75 III. 2 69 Snake in the grass 340, 341

84 III. 3 126 Dispensing from oaths 327, 328

117 V. 1 15 Time and eternity, symbol. Plate XVII. 492

124 V. 3 61 D. O. M. 464

126 V. 3 111 Theatre of human life. Plate XIV. 405, 406

TIMON OF ATHENS.

VII. 228 II. 1 28 Jackdaw in borrowed plumes 312, 314

245 III. 3 1 Gold on the touchstone 175, 177, 180

254 III. 5 31 Wrongs on marble 458, 459

263 III. 6 103 Timon’s intense hatred 427, 428

265 IV. 1 35 The extravagance of Timon’s hatred 429

269 IV. 3 18 The extravagance of Timon’s hatred 429

270 IV. 3 51 The extravagance of Timon’s hatred 429

288 IV. 3 473 The extravagance of Timon’s hatred 429

269 IV. 3 25 Gold on the touchstone 175, 177, 178

281 IV. 3 317 Mention of many animals 375

281 IV. 3 324 Mention of many animals 376

281 IV. 3 331 The unicorn 371, 373

283 IV. 3 377 Gold on the touchstone 177, 178

305 V. 4 69 Timon’s epitaph 430

JULIUS CÆSAR.

VII. 322 I. 1 68 Jackdaw in borrowed plumes 312, 313

326 I. 2 107 Æneas and Anchises 191, 193

329 I. 2 192 Characteristics of Brutus and Cassius 205

334 I. 3 5 Oak and reed, or osier 315, 316

347 II. 1 203 Unicorn 371, 372

363 III. 1 58 Astronomer and magnet 335, 336

368 III. 1 205 The wounded stag 398, 399

375 III. 2 73 Wrongs on marble 458, 459

384 IV. 1 12 Three-cornered world 351, 352

389 IV. 3 21 Dog baying at the moon 269, 270

396 IV. 3 213 Occasion. Plate XII. 259, 260

409 V. 3 80 Wreath of victory 221, 224, 226

413 V. 5 25 Death of Brutus 202, 203

MACBETH.

VII. 438 I. 5 61 Snake in the strawberry 340, 341

442 I. 7 44 “I dare not,” “I would” 376

444 II. 1 7 D. O. M. 464

454 II. 2 71 Sleep and death, Holbein’s Simulachres 469, 470

454 II. 3 67 Gorgon, Golding’s Ovid 244

459 II. 4 10 Falconry 366, 368

467 III. 2 22 “After life’s fretful fever he sleeps well” 492

512 V. 5 19 Theatre of life. Plate XIV. 405, 406

512 V. 5 24 Time leading on the Seasons. Plate XVII. 491

HAMLET.

VIII. 14 I. 2 71 Time leading the Seasons. Plate XVII. 491

35 I. 5 13 The porcupine 231, 232

63 II. 2 295 “Man a God to man” 283, 284

79 III. 1 62 Theatre of life. Plate XIV. 405, 406

79 III. 1 60 Sleep and death, Holbein’s Simulachres 469, 470

79 III. 1 70 Death’s praises, life’s evils 471

80 III. 1 76 Fardel on a swimmer 481

97 III. 2 259 The wounded stag 398, 399

111 III. 4 53 The herald Mercury 255, 256, 258

111 III. 4 55 A poet’s artistic description 112

117 III. 4 205 Cannon bursting 344, 345

127 IV. 4 33 The camel and his driver 283

135 IV. 5 135 The pelican 393, 394, 396

145 IV. 7 84 Pegasus 143, 144

153 V. 1 73 Human skull 337, 338

154 V. 1 86 Human skull 337, 338

158 V. 1 191 Human skull 337, 339

164 V. 2 8 Drake’s ship 413, 414

KING LEAR.

VIII. 280 I. 4 93 Child and motley fool 485

295 I. 5 33 “why seven stars” 356

307 II. 2 73 King-fishers 392, 393

317 II. 4 61 Ants and grasshopper 148, 149

320 II. 4 129 Prometheus and the vulture 266, 358

342 III. 4 68 Pelican 393, 394, 396

366 IV. 1 64 Hands of Providence. Plate XVI. 489

416 V. 3 171 our pleasant vices, &c. 425

OTHELLO.

VIII. 477 II. 1 129 “Old fond paradoxes” 474

498 II. 3 290 Hydra slain by Hercules 374, 375

500 II. 3 326 Symbols 2

505 III. 1 47 Occasion. Plate XII. 259, 261, 265

512 III. 3 145 Confidence kept back 434

513 III. 3 159 Calumny 434

574 V. 2 7 Light; the Canoness 469

581 V. 2 146 Swan 218

586 V. 2 249 Swan 213, 216, 218, 220

ANTONY AND CLEOPATRA.

IX. 38 II. 2 201 Appreciation of art 113

40 II. 2 245 The lottery 208, 211

48 II. 5 95 Narcissus at the stream 205, 206

60 II. 7 101 Bacchus 246, 247

64 III. 2 7 The Phœnix 381, 387, 389

100 III. 13 195 Ostrich, or estridge 371, 372

109 IV. 6 5 Map, “three-nooked world” 351, 353

118 IV. 12 3 Medeia, swallows on her breast 190

123 IV. 14 46 Lamp, or torch of life 456

132 IV. 15 84 Lamp of life 456

150 V. 2 277 Time’s and eternity’s emblems. Plate XVII. 491

151 V. 2 305 Chimney-piece at the Old Hall, Tabley 131

CYMBELINE.

IX. 167 I. 1 130 The eagle renewing its feathers 369

183 I. 6 12 The phœnix 234, 235, 236

183 I. 6 15 The phœnix, “Arabian bird” 387, 390

184 I. 6 30 Ape and miser’s gold 488

185 I. 6 46 Contrasts of epithets 474

191 I. 6 188 Jewels and ornaments of rare device 8

207 II. 4 68 Adornments of Imogen’s chamber 111

212 II. 5 33 Envy 432, 433

226 III. 4 57 Countryman and serpent, Sinon 197, 208

240 III. 6 31 Diligence and idleness 145, 147

253 IV. 2 172 Pine-trees in a storm 477

257 IV. 2 259 The oak and reed, or osier 315

PERICLES PRINCE OF TYRE.

IX. 325 I. 2 102 Thread of life 454, 455

343 II. 2 17 The Triumph Scene 158, 159

343 II. 2 19 A black Ethiope 160

343 II. 2 27 Spanish motto 162

343 II. 2 30 Wreath of chivalry 168, 169

343 II. 2 32 Inverted torch 170, 171, 173

343 II. 2 33 Quod or qui me alit 170, 174

344 II. 2 36 Gold on the touchstone 175, 177

344 II. 2 43 Withered branch 181, 183

345 II. 3 9 Wreath of victory 223, 224

366 III. 2 26 Man a God to man 283, 284

375 IV. Intr. 12 Envy 432, 433

POEMS.

VENUS AND ADONIS.

VOL. PAGE. LINE. SONNET. DEVICE OR SUBJECT. PAGES.

IX. 436

Dedication 475

RAPE OF LUCRECE.

IX. 544 1723

The chimney-piece, Tabley Old Hall 133

515 869

Occasion or opportunity. Plate XII. 259, 264

537 1513

Countryman and serpent, Sinon 197, 200

SONNETS.

IX. 578 1 55 Ruins and writings 443, 445

583 1 65 Ruins and writings 443, 445

A LOVER’S COMPLAINT.

IX. 638 92

Phœnix 381, 385, 389

THE PHŒNIX AND THE TURTLE.

IX. 671 21

Phœnix 381, 385, 388

671 25

Phœnix with two hearts 384

671 37

Phœnix with two hearts 384

672 53

Phœnix’ nest 23, 381, 389

Гезиус, 1536 г. Per cæcum videt omnia punctum.

ОБЩИЙ УКАЗАТЕЛЬ,

ARRANGED ACCORDING TO FOUR SUBJECTS:

1. EMBLEM WRITERS PREVIOUS TO A.D. 1616.

2. PROVERBS, SAYINGS, AND MOTTOES.

3. WORKS QUOTED OR REFERRED TO.

4. MISCELLANEOUS REFERENCES.

A.

A, O. L. «Гален» Линакра, Париж, 1538, стр. 105;

O. L. «Корабль дураков», л. xvi., Париж, 1499, стр. 188;

O. L. «Эмблемы» Альчиато, 2, Париж, 1534, стр. 377.

1. A. Bruck, Emb. mor. et bellica, 1615, p. 95;

Emb. politica, 1618, pp. 34, 97.

Эзоп, «Басни», латынь и немецкий, 1473; итальянский, 1479; греческий, 1480; французский и английский, 1484; испанский, 1489; тридцать других изданий до 1500 г., стр. 51.

Аэстикампиан, «Таблица Кебета», 1507, стр. 12.

A. Ganda, Spiegel van vrouwen, 1606, p. 98;

Emblemata amatoria nova, 1613, стр. 98.

Альберти, «Экатонфила», 1491; французский, 1536, стр. 55.

Alciat, Andrew, Emblematum libellus, 1522, p. 69;

Emb. liber, 1531, его размер по сравнению с изд. 1621 г., стр. 69;

в промежутке более 130 изданий; французский, 1536; немецкий, 1542; испанский и итальянский, 1549; английский (?), 1551, стр. 70;

Commentators, 70;

arms or device, 211.

Aleander, Explicatio antiq. fabulæ, &c., 1611, pp. 95, 97.

Альторфина, «Памятные эмблемы», 1597, стр. 94.

Амман, «Библейские фигуры», «Геральдика» и др., 1564, стр. 85.

Ammirato, Il rota overo dell’ imprese, 1562, pp. 79, 81.

Aneau, French Alciat, 1549, p. 70;

Picta poesis и «Поэтическое воображение», 1552, стр. 76.

Анджели, «Астролябия планиметрическая», 1488, стр. 42.

Анжу, «Радостный и великолепный въезд», 1582, стр. 87.

Apocalypse, a block-book, 48, 49.

Arias Montanus, Hum. salutis monum., 1572, pp. 88, 89.

Ars memorandi, ксилографическая книга, около 1410, стр. 45.

Astronomical MS., about 1330, Chetham Library, 41.

Австрия, дон Хуан Австрийский, о Самбукусе, 1572, стр. 86.

2. Aliamque moratur, 124;

Altera securitas, 124;

Amicitia etiam post mortem durans, and Amicitiæ immortali, 307;

Amor certus in re incerta cernitur, 179;

Amoris jusjurandum pœnam non habet, 328;

Amor vincit omnia, 7;

Anchora speme, 185;

Armat spina rosas, mella tegunt apes, 333;

Ars naturam adjuvans, 255;

Ars rhetor triplex movet, &c., 141;

Au navire agité semble le jour de l’homme, 437;

Auri sacra fames quid non? 480;

Auxilio divino, 413;

Ave gratiâ plena, dominus tecum, 46;

A vous entier: j’en suis contente, 45.

3. Æschylus, on Symbol, p. 2;

Swan, 213.

Æsop’s Fables, low estimate of by Shakespeare, 302;

Антверпен, изд. 1593, стр. 313;

Jackdaw and fine feathers, 312.

Aikin’s General Biography: Champier, 63;

Joachim, 67;

Pierius, 80.

Alciat, characterised, 69;

quoted, Janus, 139–40;

Hope, 182;

Æneas and Anchises, 191;

Medea and Progne, 191;

Брут 201;

Zisca, 206;

Swan, 213;

Insignia of poets, 218;

Phrixus, 229;

Sirens, 253;

Mercury and Fortune, 255;

Occasion, 259;

Prometheus bound, 266;

Dog and moon, 270;

Actæon, 275;

Arion, 280;

Phaeton, 285;

Icarus, 288;

Niobe, 292;

Narcissus, 295;

Pegasus, 299;

Several fables, 303;

Friendship after death, 307;

Bees, 360;

Cupid and death, 401;

Envy, 431;

Ship-sailing, 435;

Student entangled in love, 440.

Amboise, 1620, named by Menestrier, 79.

Ames’ Antiquities of printing names an English version of Alciat, 70.

Anacreon, the swan, 214.

Aneau, or Anulus quoted: Progne, 193;

Brasidas, 194;

Swan, 213;

Prometheus, 267;

Actæon, 276;

Narcissus, 295;

Daphne, 296;

Skull, 337;

Chaos, 449.

Животные, художественные книги о, 1560–1586, стр. 85.

Archæologia, lottery, 208;

Ages of man, 406.

Aristotle, the head an index of the mind, 129;

Halcyon’s nest, 391.

Arundel MS., ages of man, 406.

Athenæ (Cantab. ii. p. 258), Spenser, 87.

Augustine, S., Confessions, 426.

Aulus Gellius, Androcles and lion, 281.

Ayscough, 461.

4. Achilles, shield of, 20.

Actæon, referred to by Alciat, 275;

Shakespeare, Aneau, Sambucus, 276;

Palæphatus, Ovid, Whitney, 278;

and Shakespeare, 279.

Adam hiding, by Shakespeare, Whitney, 416;

Montenay and Stamm Buch, 416.

Adam’s apple, reference to Milton, Plate X., 132.

Adamant, indestructibility: Le Bey de Batilly and Pliny, 347;

Shakespeare, 348.

Æneas, his shield, 20;

and Anchises, by Alciat and Whitney, 191;

Shakespeare, 193.

Albret, Madame, Queen of Navarre, 88.

Aldi, 1490–1563, device, 16;

Гораполлон, 1505, стр. 64.

Альфонсо V, предок дона Хуана Мануэля, 1575, стр. 90.

America and West Indies ignored, 350, 352.

Androcles and the lion, 281.

Antefixæ, of Etruscan art, 19.

Ants and grasshopper, by Freitag, 148;

and Whitney, 148.

Ape and miser’s gold, by Cullum, 128;

Paradin, Whitney, and Symeoni, 486;

Shakespeare, 488.

Apollo and the Christian muse, Le Bey de Batilly, 379;

Shakespeare, 380.

Приложения, I. 497, II. 515, III. 531–542.

Architecture and statuary excluded, 11.

Argonauts and Jason, 229;

Shakespeare, 230.

Arion, by Alciat, 280;

Whitney, &c., 281;

Shakespeare and Microcosm, 282, 283.

Arms on Queen Mary’s bed, 123, 124.

Arran, earl of, 1549; patron of Aneau, 108, 121.

Arrow wreathed on a tomb, Paradin, 183.

Art, Shakespeare’s exquisite judgment of, 108–117.

Асцензианская печатная мастерская, 1511, стр. 63.

Ass and wolf, 53, 54.

Astronomer and magnet, Sambucus, 335;

Whitney, 335;

Shakespeare, 336.

Athenian coin, 8.

Atkinson’s gem, Picta Poesis, 76.

Atlas, by Giovio and Shakespeare, 245.

Augustus, his emblem, 15.

B.

1. Badius, Stultif. navic. fatuarum mul., 1500, 1502, p. 61;

«Корабль безумных женщин» и др., 1501, стр. 62;

Account of, 63.

Бальса, «Корабль принцев» и др., 1502, стр. 63.

Barclay, Shyp of folys of the worlde, 1509, 1570, pp. 57, 65, 91, 119;

«Зерцало добрых нравов», 1570, стр. 58.

Bargagli, 79;

Dell’ Imprese, 1589, стр. 87.

Бедфордский часослов, рукопись, 1425, стр. 44.

Библейские фигуры Бехама, 1536, стр. 72.

Беллерофон, «От похоти к мудрости», 1614, стр. 98.

Беллони, «Дискурс», 1601, стр. 92.

Bernardetti, Giornata prima, &c., 1592, pp. 79, 92.

Беза, «Иконы», с приложением эмблем, 1581, стр. 88.

Bible figures, 1503, p. 63;

1536, стр. 72.

Biblia pauperum, 1410–1420, p. 45;

Plate VI., 46;

Description of, 46, 47.

Библейские истории, 1551, стр. 73.

Биллинг, «Пять ран Христовых», рукопись, 1400, изд. 1814, стр. 41.

Block-books: Biblia pauperum, Plate VI., 45–47;

Book of Canticles and the Apocalypse of S. John, 48;

Ars memorandi, 45, 48;

Historia S. Joan. Evangelist., sold for 415l., not for 45l., Plates VII. and VIII., 49;

Print, Plate XV., 407.

Боккиус, «Символические вопросы», 5 книг, 1555, стр. 77.

Boissard, Theatrum vitæ humanæ, 1596, p. 31;

«Зрелище человеческой жизни», 1597, стр. 97;

Fall of Satan, Plate XI., 133;

Human life a theatre, Plate XIV., 405.

Boissart, Mascarades recueillies, 93, 94.

Бол, «Евангельские эмблемы к 12 знакам», 1585, стр. 88.

Бонер, «Немецкие басни», около 1400, изд. 1461, стр. 50.

Борхт, «Метаморфозы» Овидия, 1591, стр. 94.

Бория, «Моральные импрезы», 1581, стр. 90.

Brandt, Narren schyff, 1494; Stult. navis, before 1500, Plate IX., ed. 1497, p. 57;

Nef des fols, 57;

Фламандская версия, 1504, две английские, 1509, стр. 57;

«Садик души», рукопись, изд. 1498, стр. 58.

Broecmer, Embl. moralia et œconomica, 1609, pp. 95, 97.

Брозамер, «Библейские истории», 1551, стр. 73.

Биннеман, «Театр» Ван дер Нота, 1569, стр. 91.

2. Beaulté compaigne de bonté, 418;

Bella Maria, 125;

Bona terra, mala gens, 139;

Breue gioia, 152;

Brevis et damnosa voluptas, 152.

3. Bacon’s Adv. of learning, 1.

Bateman’s ed. Five wounds of Christ, 40.

Bellay’s Cupid and death, 1569, p. 400;

Dog, 482;

Emblem writing, 136.

Berjeau’s Biblia pauperum, ed. 1859, pp. 45, 48.

Beza, quoted, Phrixus, 230;

Dog and moon, 270;

Engineer and petard, 344.

Biographie Universelle, Boner, 50;

Zainer, 55;

Badius, 63;

Shoeufflein, 67;

Manuel, 90;

Dinet, 94;

Van Visscher, 98.

Blanchet’s Apologues orientaux, 17.

Blandford, Catalogue of emblem books, 35, 55.

Blomfield’s Norfolk, Lottery, 208.

Bohn’s Holbein, ed. 1858, Lottery, 207;

Edward VI., 121.

Boissard quoted, Satan’s fall, 132, 133;

Bacchus, 247;

Bear and whelp and Cupid, 349;

Human life, 405.

См. Мессен, «Эмблемы».

Brucioli’s Trattato della sphera, 1543, Zodiac, Plate XIII., 353.

Brunet’s Manuel du libraire, 39;

Speculum humanæ salvationis, 43;

Dyalogus Creaturarum, 51;

Ecatonphyla, 55;

Todtentanz, 56;

Figures du vieil Test., 63;

Turnierbuch, 68;

Figures of the Bible, 73;

Giovio, &c., 78;

Spelen van sinne, 81;

Hoffer, 81; &c.

Bryan’s Dict. of Engravers, Zainer, 56;

Boissart, 94;

Van Veen, 96.

Brydges, Egerton, Res literariæ, 78, 100.

4. Bacchus, by Boissard, and Microcosme, 247;

Alciat, Whitney, 248;

Shakespeare, 249.

Badges, traced by Giovio, 14;

Of ancient usage, 14;

Augustus, 15;

Titus, 16.

Ban-dog, Sir T. More, Spenser, 481;

Sambucus, 482;

Whitney, 483;

Shakespeare, 484.

Barrel with holes, Paradin, Whitney, 332.

Bear and ragged staff, Whitney, 236, 239;

traced to the Earls of Warwick, 237, 239;

Shakespeare, 239.

Bear and cub, Boissard, 349;

Tronus Cupidinis, 348;

Shakespeare, 350.

Beauchamp, Thos. and Richd., their monuments, 237.

Beccafumi’s designs for seven ages, 407.

Bed of state, with emblems by Mary Stuart, 123, 126;

at Hinckley, 126.

Bees, types of good government, Horapollo, 358;

Alciat, 360;

King bee, Plato, Xenophon, Virgil, 359;

Types of love for native land, Whitney, 361;

Commonwealth, Shakespeare, 362-364.

Bellerophon and Chimæra, Alciat and Shakespeare, 299, 300.

Bird caught by an oyster, 130;

In a cage, and hawk, 124.

Black Ethiope reaching at the sun, 123, 160–162;

No exact resemblance found, Reusner, 160, 161.

Blount’s crest, an armed foot in the sun, 166;

Families of Blounts, 160.

Bodily signs emblematical, 17.

Bodleian library, its block-books, 49.

Bona of Savoy, the Phœnix her device, 234.

Brasidas and shield, Aneau and Whitney, 194, 195.

Bridgewater gallery, Diana bathing, 111.

Britain, emblem literature known in, 119–137.

Brutus, death of, Alciat and Whitney, 201, 202;

Shakespeare, 203, 204;

Characteristics of Brutus and Cassius, Shakespeare, 204, 205.

Bullogne, Godfrey of, his impresa, 123.

Butterfly and candle, Paradin, 151;

Corrozet, Camerarius, Vænius, 152;

Symeoni, 153;

Shakespeare, 153;

Boissard, 152.

C.

C, O. L., Alciat, 38 Ant., 1581, p. 497.

1. Caburacci, Trattato ... di fare le imprese, 1580, pp. 79, 86.

Каллия, «Священные эмблемы, извлеченные из книг Моисея», 1591, стр. 94.

Камерариус, «Символы и эмблемы» и др., 1590, стр. 89.

Камилли, «Импрезы — с дискурсами» и др., 1586, стр. 87.

Canticles, book of, a block-book, 48.

Capaccio, Delle imprese trattato, 1592, pp. 34, 85.

Капути, «Торжество», 1599, стр. 92.

Картари, «Образы богов древних», 1556, стр. 79.

Cebes, Tablet of, B.C. 390, p. 12;

Editions various, 1497–1507, pp. 13, 68;

De Hooghe’s and another’s delineation, Plates I. and I. b, 13, 68.

Шампье, «Корабль добродетельных дам», 1503, стр. 63.

Chartier, Les blasons de vertu par vertu, 1574, pp. 87, 88.

Chiocci, Delle imprese, 1601, pp. 79, 92.

Чимолотти, «Гордецы», 1587, стр. 87.

Кламоринус, «Турнирная книга», 1590, стр. 90.

Clemens of Alexandria, Stromata, 21.

Целиус, «Священные эмблемы», 1589, стр. 89.

Комб, «Эмблемы», около 1594, стр. 120.

«Календарь пастухов», 1500–1705, стр. 42.

Contile, Ragionamento ... delle imprese, 1574, pp. 79, 86.

Коорнхерт, «Правильное использование и злоупотребление», 1585, стр. 90.

Corrozet, Hecatomgraphie, 1540, and other works, 74.

Cory, Hieroglyphics of Horapollo Nilous, 1840, pp. 22, 24.

Косталиус, «Пегма, с философскими нарративами», 1555, стр. 77.

Костериус, «Микрокосм», 1584, стр. 98.

Кусто, «Пегма, с философскими нарративами», 1560, стр. 77.

Crosse, His covert, MS. about 1600, with reasons for that date, 100.

2. Canis queritur nimium nocere, 482;

Canis reversus ad suum vomitum, &c., 144;

Captivus ob gulam, 130;

Cavendum à meretricibus, 250;

Certe tu vita es mihi, 161;

Christus bajulat crucem, 43;

Come l’oro nel foco, 179;

Cominus et eminus, 231;

Coney, so doth struggle in the net, 319;

Conscientia integra laurus, 422;

Consequitur quodcunque petit, 3;

Consilio & virtute chimæram superari, &c., 299;

Constantia comes victoriæ, 436;

Contraria industriæ ac desidiæ præmia, 148;

Cosi troppo piacer conduce à morte, 153;

Cosi vivo piacer conduce à morte, #151;

Creatione et confusione del mondo, 35;

Creavit dominus novum super terram, &c., 47;

Cucullus non facit monachum, 138;

Cum larvis non luctandum, 305;

Curiositas fugienda, 267.

3. «Календарь и сборник пастухов», 1705, стр. 42.

Callimachus, Perjuria ridet amantum, 328.

Кембриджские «Работы Шекспира», 1863, 1866, стр. 157.

Centifolium stultorum, 1707, стр. 33.

Chaucer, use of the word Emblem, 7.

Chrysostom, God loved and hated in man, 281.

Cicero, use of the word Emblem, 5.

Collier, J. Payne, Phœnix’ nest, 1593, reprint, 380.

«Словарь» Котгрейва, Emblema 1.

Cowden Clarke’s Concordance, 388.

Cudworth’s Intellectual System, ed. 1678, pp. 2, 103.

Каллум, сэр Джон, «История и древности Хостеда», 1813, стр. 127.

4. Cadmus, alluded to in Rich. II., 245.

Calcott, Lady, account of the seven ages of man inlaid on the pavement, Siena, 407.

Calumny, Shakespeare, 434.

Camel and his driver, 283.

Camerarius, quoted for,—Butterfly and candle, 151;

Dog and moon, 270;

Eagle renewing youth, 369;

Elm and vine, 307;

Falconry, 366;

Jackdaw in fine feathers, 312;

Laurel and lightning, 423;

Ostrich, 234;

Pelican, 394;

Stag wounded, 398;

Swan, 217;

Turkey and cock, 357;

Unicorn, 372;

Wheat among bones, 184;

Wreaths on a spear, 223.

Cannon bursting, Beza and Shakespeare, 344.

Casket scenes, emblematical, 149–154, 186.

Cassius and Cæsar in the Tiber, 193.

Cervantes and Shakespeare died in 1616, 318.

Chaos, Ovid, Symeoni, 448;

Aneau, Whitney, 449, 450;

Shakespeare, 451, 453.

Charles I., his fine collection of paintings, 111.

Карл V, император, «Теурданк», посвященный ему в 1517 г., стр. 68.

Chatterton, Dr., on choice of a wife, 210.

Chess, emb. of life and equality in the grave, Perriere, 320;

Corrozet, 321.

Child and motley-fool, Whitney, Sambucus, 484;

Shakespeare, 485;

Drant, 486.

Chivalry, wreath of, Paradin, Shakespeare, 169.

Cholmeley, knight, Sir Hughe, 320.

Christian art, fulness of its emblems, 26.

Christian love, the soul, and Christ, Plate II., 32.

Circe, Alciat, 250;

Whitney, Horace, Reusner, 251;

Shakespeare, 252.

Classification of the correspondencies and parallelisms, 187.

Cliffords, father and son, 192.

Clip the anvil of my sword, Shakespeare, 325;

Perriere, 326;

Whitney, and meaning, 327.

Closet adorned with emblems, 127.

Coats of arms, often imaginative, 236.

Coincidences of Whitney and Shakespeare in the use of words, 478, 479, 497–514.

Coincidences and parallelisms in heraldic emblems, 240.

Coins and medals often emblematical, 13.

Columbus, tribulations on marble, 461.

Commonwealth of bees, Whitney and Shakespeare, 361–365.

Compress, difficulty to, 101.

Conclusion, Shakespeare acquainted with Emblem-books, 495.

Confidence kept back, Shakespeare, 434.

Conscience, power of, Horace, 420;

Vænius, 421;

Shakespeare, 421, 424, 425.

Coörnhert’s device of Providence making poor and making rich, Plate XVI., 489.

Coriolanus, 201;

his civic crowns, 225.

Coronation scene, Anne Bullen’s, 9.

Correspondence of Whitney and Shakespeare in words, 477–479, 497–514.

Corrozet, quoted, Butterfly and candle, 152;

Chess, 321;

Doves and Cupid, 245;

Fortune, 261;

Gem in gold, 418;

Hydra, 374;

Icarus, 289;

Sun and wind, 165.

Corser of Stand, Rev. T., Historia S. Joan, sold for 415l., p. 49;

De Sole et Luna, 52;

Figures du vieil Test. et du nouuel, 63;

Альчиато 1531 г., стр. 69;

Dance of Death, 71;

Crosse his covert, MS., 100.

Коттон, Ричард, эсквайр, из Комбермира, 1586, стр. 360.

Countryman and serpent, Freitag, Reusner, 197;

Shakespeare, 198.

Coustau, Camel and driver, 283;

Silence, 209;

Orpheus, 271;

Ruins and writings, 442.

Crab and butterfly, Symeoni, 15.

Creation and confusion, Ovid, Plate III., 35.

Crescent moon, Giovio, 125, 127.

Crests of ancient times, 14–16.

Crowns, civic and others, 221, 224.

Cupid felling a tree, 324;

Blinded, Perriere and Shakespeare, 329, 331;

and Bear, Boissard, 349;

Tronus Cupidinis, 348;

Cupid and Death, Alciat, 400;

Whitney, 401;

Haechtan, 400;

Peacham, 403;

Cupid in mid-air, Shakespeare, 404.

Curtius, a silver emblem ornament, 5.

Custom, a guide for Emblems, 37.

D.

1. «Пляска смерти». См. Гольбейн.

«Пляска смерти» (Danse Macabre), изд. 1485, стр. 56.

Далле Торре, «Диалог», 1598, стр. 92.

Дэниел, «Достойный трактат Павла Джовио», 1585, стр. 77.

David, Virtutis spectaculum, 1597;

Veridicus christianus, 1601;

Christelücke, 1603;

Occasio arrepta, neglecta, 1605;

Pancarpium marianum, 1607;

Messis myrrhæ et aromatum, 1607;

Paradisus sponsi et sponsæ, 1607;

Duodecim specula, 1610, стр. 95;

Occasio, quoted in illustration, Plate XII., 265.

Даза Пинсиано, «Альчиато на испанском», 1549, стр. 70.

De Bry, T., Stam und wapenbuch, 1593, p. 32;

«Эмблемы, достойные знания знати и простолюдинов», 1592, и «Светские эмблемы», 1593, стр. 94;

«Светские эмблемы» — немецкие ритмы, 1596, стр. 97;

«Портрет моральной космографии», 1614, стр. 94.

De la Perriere, Theatre des bons engins, 1539;

«Сто соображений любви», 1543;

«Соображения о четырех мирах», 1552;

«Морософия», 1553, стр. 74.

De Montenay, Emblêmes ou devises chrestiennes, 1574, pp. 87, 88.

De Passe, 96;

«Метаморфозы» Овидия, 1602, стр. 95;

«Героическое зеркало» Гомера, 1613, стр. 36;

Оригинальные рисунки в Кире, около 1600, стр. 177;

Quoted, Phaëton, 284;

Daphne, 296;

Tronus Cupidinis, 348.

Derendel, Historyke Portreatures, 1553, pp. 73, 119.

Де Ромье, «Пегма П. Кусто», 1560, стр. 77.

Де Сото, «Морализованные эмблемы», 1599, стр. 99.

Депре, «Театр животных» и др., 1595, стр. 93.

Destructoriũ vitiorum (Dyalog. Creat.), 1509, стр. 52.

Dialoges of creatures moralyzed, 1520, pp. 52, 119, 303.

Дине, «Пять книг иероглифов», 1614, стр. 94.

Dolce, Le prime imprese del conte Orlando, 1572;

«Диалог», 1575, стр. 86.

Domenichi, Ragionamento, 1556, 1574, pp. 77, 78.

Дони, «Миры»; «Мраморы»; «Моральная философия», 1552, 1553, стр. 76.

Droyn, La grãt nef des folz, 1498, 1579, pp. 57, 87.

Дюпон, «Гротескные сатиры», 1513, стр. 67.

Дюрер, «Триумфальные врата», 1515; «Теурданк», 1517; и «Триумфальная колесница», 1522, стр. 67.

Dutch Emblem-books, passim, and 90, 97.

Дюве, «Апокалипсис в фигурах», 1561, стр. 81.

Dyalogus creaturarum, 1480, p. 51;

Французское изд. 1482, английское, 1520, стр. 51.

2. Dabit Deus his quoque finem, 124;

Dederitne viam Casusve Deusve, 123;

Defecit in dolore vita mea, &c., 131;

De more et amore, 401;

De Morte et Cupidine, 403;

Descendet dominus sicut pulvia in vellus, 47;

Despicit alta canis, 270;

Dives indoctus, 229;

Divesque miserque, 31;

D. O. M., 464;

Dominus tecum virorum fortissime, 47;

Dominus vivit et videbit, 416;

Donec totum impleat orbem, 123, 127;

Dum ætatis ver agitur, consule brumæ, 148;

Dum tempus labitur, occasionem fronte capillatam remorantur, 265;

Dum transis, time, 128;

Durate et vosmet rebus servate secundis, 125.

3. De Bry, Icones virorum illustrũm, 85.

De la Perriere, quoted for,—Chess emb. of life, 320;

Cupid blinded and sieve, 329;

Diligence, 145;

Fardel, 495;

Janus, 140;

Occasion, 258;

Sword broken on anvil, 326;

Thorns on the rose, 332.

Democritus, Golden sentences, 13.

De Montenay, quoted, Adam hiding, 416;

Fearlessness, 440;

Good out of evil, 447.

Dibdin, Bibliographical Antiquarian, 58;

Bibliomania, 51, 137;

Bibliogr. Decameron, 45;

Bibliotheca Spenseriana, 48;

Tour, 57.

Dict. Greek and Roman Antiquities, 20.

Diodorus Siculus, History, 20.

Donne, Elegy, Flowers, 18.

Doré, Drawings for Elaine, 30.

Douce, Dissertation, ed. 1833, pp. 56, 71;

Remarks on Macaber, 56;

Illustrations of Shakspeare and of Ancient Manners, 1807, pp. 106, 167, 172;

«Образы» Гольбейна, изд. 1858, стр. 121.

Drake, Shakspeare and his Times, 106, 107, 238;

on Falconry, 365;

Timon of Athens, 426.

Дрант, «Искусство поэзии» Горация, 1567, стр. 486.

Drayton, Baron’s Wars, 1598, names, emblems, impresas, hieroglyphics, 132.

Drummond, History of Scotland, 1655, p. 123;

Letter to Benjamin Johnson, Emblems on a bed of state, 123–125;

Other letters naming devices or emblems, 124.

Dryden’s opinion of the Pericles, 157.

Dugdale, Antiq. of Warwickshire, 237.

Du Vondel, illustrious poet of Holland, 98.

4. Daphne to a laurel, Aneau, Ovid, 296;

Shakespeare, 297.

Death, its mention by Shakespeare, 339, 469.

Смерть и сон, 469–471.

Death’s praises,—life’s evils, 471.

Dedalus and his sons, 287.

Diana, emblem and symbol in one, 3.

Diana of Poitiers, dedication to, 3, 172.

Dice an emblem of life, Le Bey de Batilly, 322.

Diligence and idleness,—Perriere, 145;

Whitney, 146;

not followed by Shakespeare, 147.

Direct References to Emblems, six in the Pericles, 156–188.

Di Terra Nova, Duke, emblem, 125.

Division into three parts of Emblem-books, from 1500 to 1564, p. 60;

на две части, с 1564 по 1615, стр. 84.

Dog baying the moon, Shakespeare and Alciat, 269;

Whitney and Camerarius, 270;

Beza, 271.

Dogs not praised by Shakespeare, 145, 483.

Dolphin and anchor, Symeoni and Giovio, 16;

The device of Titus, and of the Aldi, 16.

D. O. M., Whitney and Shakespeare, 464, 465.

Doubtful if certain books are Emblem-books, 51, 55.

Doves and winged Cupids, Shakespeare and Corrozet, 245.

Drake, Sir Francis, compared to Jason, 229.

Drake’s ship, Whitney, 413;

Shakespeare, 414.

Drawing and device or emblem, their difference, 49.

Drinking bout of Antony and his friends, 246.

Droppes manie pierce the stone, &c., Whitney, 324;

Shakespeare and Vænius, 324

Дадли, Амброуз, граф Уорик, умер в 1589, стр. 238.

Dudley, Robert, earl of Leycester, died 1588, p. 238;

Whitney’s Emblems dedicated to him, 239.

Dupes emblematised, 33.

Dust, to write in, Sir T. More, 461;

Shakespeare, 460, 461.

E.

E, O. L. of uncertain origin, 241;

O. L. из сочинений Платона, 710; Франкфурт, 1602, стр. 346;

O. L., Dial. of Creatures, 62, изд. 1520, стр. 463.

1. Ecatonphyla, 1491, centiesme amour, 1536, стр. 55.

Ehrenpforte, или триумфальная арка, около 1515, стр. 67.

Emb. Amat., Afbeeldinghen, 1611, стр. 98.

Emblemata Evang. ad XII. signa, 1585, стр. 88.

Emblesmes sur les actions—du Segnor Espagnol, 1608, стр. 93.

Emblematum Philomilæ Thiloniæ Epidigma, 1603, стр. 95.

Emblem-books, in the tabulated forms, 86–99:—

Dutch or Flemish, 1585, p. 90;

1603–1614, pp. 97, 98.

English, 1569–1586, p. 91;

1591–1612, стр. 99.

French, 1568–1588, p. 87;

1595–1614, pp. 93, 94.

German, 1576–1590, p. 90;

1596–1611, стр. 97.

Italian, 1566–1589, pp. 86, 87;

1592–1609, стр. 92.

Latin, 1568–1590, pp. 88, 89;

1591–1615, pp. 94, 95.

Spanish, 1575–1589, p. 90;

1599–1615, стр. 99.

Emblem-books, in Greek; Tablet of Cebes, B.C. 390, pp. 12, 68;

Clemens of Alexandria, about A.D. 300, Stromata, 21;

Епифаний, 367 г. н. э., стр. 28;

Гораполлон, первоначально египетский, около 400 г. н. э., стр. 22;

переведен на греческий Филиппом, около 550 г. н. э., стр. 22.

English Emblem-books down to Willet, 1598, p. 119;

passim, 91, 99–101.

Епифаний, 367 г. н. э., Physiologus, 1587, стр. 28.

Estienne, Henri, Anthologia gnomica, 1579, pp. 88, 89.

2. Eadem inter se, 384;

Ecce, ancilla domini, fiat mihi, 46;

Ecce ascendimus Hierosolimam, 66;

Ecce virgo concipiet et pariet filium, 46;

Ei qui semel sua prodegerit, aliena credi non oportere, 189;

Εἴξας νικᾶ, 314;

Eloquentia fortitudine præstantior, 164;

Eloquium tot lumina clausit, 123;

En ma fin git mon commencement, 123;

Erant signa in sole et luna, 48;

Esto tiene su remedio y non yo, 398;

Ex domino servus, 276;

Ex malo bonum, 447;

Ex maximo minimum, 337.

3. Engravers, named, and referred to:—

Amman, Jost, 1564, pp. 74, 85.

Avibus, Гаспар аб, 1558, стр. 80.

Bernard, Solomon, 1560, pp. 36, 73.

Бьюик, Томас, 1789, стр. 71.

Буассар, Робер, 1590, стр. 94.

Боназоне, Джулио, 1555, стр. 77.

De Bry, Theodore, 1592, pp. 96, 348.

” Джон Теодор, стр. 96.

” Джон Израэль, стр. 96.

Де Хондт, Йост, 1606, стр. 98.

Де Хоге, Ромейн, 1670, стр. 13.

Де Йоде, Жерар, 1584, стр. 53.

De Passe, Crispin, 1611, pp. 95, 97, also pp. 57, 177.

Durer, Albert, 1509, pp. 65, 67, 73.

Дюве, Жан, 1561, стр. 81.

Фейрабенд, Сигизмунд, около 1581, стр. 90.

Фортуль, 1832, стр. 71.

Holbein, Hans, 1538, pp. 71, 72.

Костер, Лауренс, 1410, стр. 46.

Лютценберге, Ганс, 1538, стр. 72.

Марколини, Ант. Франч., 1552, стр. 76.

Pytheus, named by Pliny, 5.

Раймонди, Марк Ант., 1516, стр. 67.

Sadeler, Ægidius, 1600, pp. 96, 98.

Sadeler, John, 96.

Sadeler, Raphael, 96.

Шлоттхауэр (Пляска смерти), 1832, стр. 71.

Шойфлейн, Ганс, 1517, стр. 67.

Solis, Virgil, 1555, p. 77;

1560, стр. 74.

Штиммер, Тобиас, 1576, стр. 90.

Штиммер, Джон Кр., 1591, стр. 90.

Ван дер Борхт, 1591, стр. 95.

Ван Веен, или Вениус, Отто, 1607, стр. 96.

Ван Веен, Гилберт, 1607, стр. 96.

Венециано, Зоан Анд., 1500, стр. 55.

Eschenburg’s Manual class. lit., 1844, pp. 7, 224.

4. Eagle renewing its youth, Camerarius, 368;

Shakespeare, 369, 370.

Edward VI., Emblem-books belonging to him, 121.

Egerton, Lord Chancellor, and Thomas Wilbraham, 467.

Elephant and undermined tree, Sambucus and Whitney, 196.

Elizabeth, Queen, devices, 124;

prayer-book, 137;

lottery, 208;

phœnix, 390;

flattered by Shakespeare, 404.

Elm and vine, Alciat and Boissard, 307;

Whitney and Camerarius, 308;

Vænius and Shakespeare, 309.

Ἔμβλεμα, ἐνβαλλεῖν, pp. 4, 5, 6.

Emblem defined, Cotgrave, Quarles, and Bacon, 1;

Whitney, 6;

Shakespeare, 9;

origin, 9;

definition seldom strictly observed, 30.

Emblems, original meaning, 4;

Chaucer, 7;

kept by Shakespeare and Milton, 9;

changes of meaning, 4;

classical and modern meaning, 4, 5, 11.

Emblem and Symbol, confounded, 1;

difference, 2;

united, 2, 3;

affinity of, 6.

Emblem, the word introduced into Latin, 5;

opposed by Tiberius, 5;

used by Cicero and Quinctilian, 5.

Emblema nudum, or bare, without a device or picture, 13, 51;

in Shakespeare, 149–154.

Emblem Artists and Artificers, 5, 20. See also Engravers.

Emblem Authors, number before 1616, p. 102;

men of literature and mental power, 102;

estimate in which they were held, 103;

introduce fables, 303.

Emblem-books our theme, 11;

preceded by writings, 119;

three large collections, accessible for this work, at Keir, Stand, and Thingwall, 86;

number composed from 1564 to 1590, pp. 91, 92;

количество оригинальных текстов и версий, 770, до 1616 г., стр. 102;

illuminated MS., 38–45, 50;

block books, 46–50.

Emblem Literature,—applied with great latitude; what appears essential to it, 31;

Instances: proverbs and witty sayings, scenes from history, armorial bearings, 31;

celebration of events, devotion and satire, 32, 33;

politics, 34;

classic poets, 34–36;

great latitude in using the phrase, Emblem Literature, custom the general guide, 37;

includes ornamental devices in books, 38;

architecture, sculpture, and painting too extensive to be included, 38;

known in Britain, 119–137;

bed of state, with emblems wrought by Mary, Queen of Scots, 123–125;

ancient bed at Hinckley, 126;

painted closet at Hawsted, 127–130;

ancient hall at Lower Tabley, 131;

свидетельство Дрейтона, 1598, стр. 132.

Emblems,—raised or carved figures and designs, a crust or framework, a mosaic, figured ornaments, 9, 10;

devices on smooth surfaces; any drawing representative of thought, character, &c.; a species of hieroglyphics, 11;

coins and medals, 13;

heraldry, 14–17;

signs, 17–19;

fictile ornamentation, 19, 20;

works by the silversmith, 20;

hieroglyphics, 21–26;

Christian art, 26, 27.

Emblems classified—by Whitney into three kinds, 187;

for this work into eight divisions, 188:

—historical, 188–211;

heraldic, 212–240;

mythological, 241–301;

for fables, 302–317;

for proverbs, 318–345;

for objects in nature, 346–376;

for poetic ideas, 377–410;

moral and æsthetic, 411–462;

miscellaneous, 463–496.

Emperors:—Maximilian I., 1517, pp. 67, 68;

Карл V, 1517, стр. 68;

Максимилиан II, 1564, стр. 85;

Rodolph II., 1576, pp. 85, 89, 96;

Matthias, and Ferdinand II., 96.

End crowns all; or the end makes all equal, Shakespeare, Messin, Whitney, Perriere, 320;

Illustrated by chess, Perriere, 320;

Corrozet, 321, 322;

Whitney and Shakespeare, 323.

Engineer hoist with his own petar, from Beza and Le Bey de Batilly, 344;

Shakespeare, 345.

Envy, from Whitney, Alciat, 431, 432;

Shakespeare, 433.

Estridge, ostrich, or falcon? Paradin, 370;

Shakespeare, 371.

Eternity, emblem of, 37;

in Plate XVII., 491;

Horapollo, 491;

Shakespeare, 492.

F.

F, O. L., Nef des folz, Париж, 1499, xxv., стр. vii.

1. Басни, немецкие, около 1400, стр. 50. См. Бонер.

Фабричи, Delle allusioni, imprese & emblemi, 1588, стр. 87.

Faerno, Fabvlæ centvm, 1565, pp. 85, 303, 310, 311;

quoted, Fox and grapes, 311.

Farra, Settenario dell’ humana riduttione, 1571, pp. 79, 86.

Фейрабенд, Stam und wapenbuch, 1579, стр. 90.

Figures du vieil Test. & du nouuel, 1503, стр. 63.

Figures of the Bible, 73.

Фиорино, Opera nuova, и др., 1577, стр. 86.

Flemish books of emblems, passim, and, 90, 97.

Франческино, Hori Apollinis selecta hieroglyphica, 1597, стр. 94.

Фронс, Insignium armorum emblematum, и др., 1588, стр. 89.

Freitag, Mythologia ethica, 1579, p. 88;

Viridiarium mor. phil. per fabulas, 1594, стр. 94.

Фреллониус, Historiarum veteris instrumenti Гольбейна, 1547, стр. 72.

French Emblem-books, passim, and, 87, 93.

Furmerus, De rerum usu et abusu, 1575, p. 88;

Hands of Providence, Plate XVI., 489.

2. Facunda senectus, 215;

Faire tout par moyen, 289;

Fatuis levia commitito, 484;

Feriunt summos fulgura montes, 475;

Festina lente, 15;

Ficta ejus quod haberi nequit recusatio, 310;

Finis coronat opus, 437;

Fortiter et feliciter, 221;

Fortitudo ejus Rhodum tenuit, 124;

Fortuna virtutem superans, 202;

Fortunæ comites, 124;

Frons hominem præfert, 129;

Fronte nulla fides, 129;

Fructus calcata dat amplos, 124;

Frustra, 329, 331.

3. Farmer, Dr., on Pericles, 156.

Флинтнер, Nebulo nebulonum, 1620, стр. 65.

Freitag, quoted for,—

Mouse caught by an oyster, 130;

Ants and grasshopper, 148;

Countryman and serpent, 197;

Fox and grapes, 309;

Phœnix, 381;

Sun, wind, and traveller, 166;

Turkeycock and cock, 356.

4. Fables: doubtful if strictly emblems, 51;

The best emblem writers introduce them, 303;

A floating literature, interchanged throughout the world, 302;

Shakespeare’s estimation of them, 303;

Early editions, 303.

Fables, emblems illustrative of, 302–317;

Fly and candle, 151–153;

Sun, wind, and traveller, 164–167;

Elephant and tree, 196;

Countryman and serpent, 197;

Hares biting the dead lion, 304–306;

Elm and vine, or elm and ivy, 307–309;

Fox and grapes, 309–312;

Jackdaw in fine feathers, 312–314;

Oak and reed, 314–316.

Facts in Nature, emblems from, and from the properties of animals, 346–376:

—Frosty Caucasus, 346;

Adamant on the anvil indestructible, 347;

Bear, cub, and Cupid—natural affection, 348–350;

The inhabited, or three-cornered world, 351–353;

Signs of the zodiac, 353–356;

The cock and turkeycock, 356–358;

The vulture, 358;

Bees, types of a well governed people, and of love for our native land, 358–365;

Falconry, 365–368;

Eagle renewing its feathers, 368;

Ostrich with outspread wings, 370;

Unicorn, type of faith undefiled, 371–373;

Hydra slain by Hercules, 373–375;

Various animals named, 375, 376.

Falconry, from Dr. Drake, 365;

Camerarius and Giovio, 366;

Shakespeare, 367, 368.

Fame armed with a pen, from Junius and Whitney, 445, 446;

Shakespeare, 444, 445.

Fardel on a swimmer, 480, 481.

Ferdinand II., emperor, 96.

Fictile ornamentation, 19, 20.

Fin couronne les œuvres, from Shakespeare, 320–323.

См. Конец.

Firmin Didot, 40.

Flower language, emblematical, 18.

Муха и свеча. См. Бабочка.

Forehead, index of the mind, 129.

Fortune, from Corrozet, 261. See Occasion.

Fox and grapes, from Freitag, 310;

Faerni, 310;

Whitney, 311;

Shakespeare, 311, 312.

Francis I., impresa, 123, 125, 126.

Friendship after death, 307.

См. Вяз и виноградная лоза.

Frosty Caucasus, 346.

G.

G, O. L., измененная C, из «Галена» Линакра, Париж, 1538, стр. 543.

1. Ганда. См. À Ganda.

German Emblem-books, passim, and, 90, 97.

Geschlechtes Buch, издания 1550, 1580, стр. 75.

Geyler, Navicula sive speculum fatuorum, 1511, and Navicula penitentiæ, 1511, several reprints before 1520, —the first book with the imperial privilege, 66;

Two German translations, 66;

Латинская версия «Корабля дураков» (Narren Schyf), 1498, стр. 66.

Giovio, Dialogo dell’ imprese, or Ragionamento, 1555, p. 77;

1574, pp. 14, 15, 16;

Английская версия, 1585, стр. 77;

Menestrier, 79.

Giovio, Symeoni, and Domenichi, Dialogo dell’ imprese, &c., 1574, p. 78;

двадцать семь изданий между 1553 и 1585 гг., стр. 78.

Glissenti, Discorsi morali, &c., 1609, pp. 92, 93.

Голдинг, «Метаморфозы» Овидия, 1565, стр. 243.

Гулар, Les vrais pourtraits, 1581, стр. 87.

Графеус, «Въезд Филиппа Испанского», 1550, стр. 75.

Гревен, Emblemes d’ Adrian la Jeune, 1568, стр. 87.

Гуаццо, Dialoghi piacevoli, 1585, стр. 87.

Герульт, Premier livre des emblemes, 1550, стр. 75.

Guillim, A display of heraldry, 1611, pp. 99, 120.

Гулден, Den gulden winckel, 1613, стр. 98.

Гусман, Triumphas morales, 1557, стр. 90.

2. Gang forward; I am ready, 14;

Giuramento sparso al vento, 328.

3. Gale’s Opus mythol., 13.

Gentleman’s Magazine, 126, 208.

Немецкая книга — первая на чистом немецком языке — книга басен, напечатанная в 1461 г., стр. 50.

Giovio, quoted from,—

Alciat’s device, 211;

Atlas, 245;

Crescent moon, 125, 127;

Dolphin and anchor, 16;

Falconry, 365;

Kingfisher, 392;

Ostrich and iron, 233;

Phœnix, 235;

Salamander, 125, 126.

Giovio and Symeoni, quoted,—Porcupine, 231;

Wrongs on marble, 457.

Golding’s Ovid, 1567, p. 243;

Shakespeare indebted to it, 243;

The epithet golden, 400.

Гоф, о «Бедфордском миссале», 1794, стр. 44.

Gower’s Conf. am.—pur reposer, 7.

«Никогда не поздно» Грина, 1610, стр. 128.

4. Gem in a ring of gold, by Corrozet, 418;

Shakespeare, 419, 420.

Gemini, 355.

Geography, 350–353;

more correct, 415.

Glance only, at times, to emblem subjects by Shakespeare, 269, 317.

Glyptic art as exemplified in hieroglyphics, 21–26.

Gold on the touchstone, by Paradin, 175;

Whitney, 178;

Crispin de Passe, 177;

Shakespeare, 175, 180;

Vænius, 179.

Golden, the epithet, Douce, Sidney, Golding’s Ovid, 400;

Bellay, Alciat, 400;

Whitney, 401;

Peacham, Whitney, 403;

Shakespeare, 404.

Golden fleece, order of, 228.

Gonsaga, Hanibal, saying on surrendering his sword and himself, 138.

Good out of evil, Shakespeare and Montenay, 447.

Гравелла, кардинал, его импреза, 125, примечание.

Greatest out of least, from Anulus, 337;

Whitney, 338;

Shakespeare, 338, 339.

Grecian coins, 13.

H.

H, O. L., Nef des folz, xv., Paris, 1499, p. 187;

Монограмма H. G., конструкция, предисловие, xii.

1. Галлер, Chartiludium logicæ, 1507, стр. 64.

Хельд, «Альчиато на немецком», 1542, стр. 70.

Хезиус, Emblemata sacra, 1581, стр. 88.

Hillaire, Speculum Heroicum ... Homeri, 1613, pp. 36, 95.

Historia S. Joan. Euangelist., block-book, 1420, p. 49;

MS. of, belonged to Henry II., 49.

Истории Иосифа, Даниила, Юдифи и Есфири, самая ранняя печатная книга с текстом и гравюрами, 1461, стр. 45.

Icones catecheseos Хоффера, 1560, стр. 81.

Holbein, Les simulachres & Historiees faces de la mort, 1538, pp. 72, 350, 487;

Previous to 1600 at least fifteen editions, 72;

Historiarum veteris instrumenti icones, 1538, стр. 72;

Spanish, ed. 1543, English, ed. 1549, within the century twelve other editions, 73;

The canoness or nun, 469;

Sleep and death compared, 469, 470;

Wrong done to the soul, 433;

Praises of death, evils of life, 470, 471;

The last judgment, and escutcheon of death, 470.

Холлара, «Пляска смерти», 1790, стр. 56.

Homeri, Speculum heroicum. См. Илэр.

Horapollo, account of, 22;

De sacris notis et sculpturis, 1551, example, the Phœnix, 22, 23;

Other examples from Leemans and Cory, 24–26 (see Leemans and Cory);

Первое печатное издание Альда, 1505, латинское, французское, итальянское и немецкое, до 1535 г.;

шестнадцать других изданий до 1616 г., стр. 64.

Horatii Emblemata, 1607 and 1612, p. 36.

Ороско, Emblemas morales, 1589, Symbolæ sacræ, 1601, стр. 90.

Hortinus, Icones, 1585, p. 88;

Emblemata sacra, 1589, стр. 89.

Hortulus rosarum, 1499, стр. 58.

Хангер, Альчиато, Cum rhythmis Germanicis versus, 1542, стр. 70.

2. Heart of Jesus the well of everlasting life, 40;

Homines voluptatibus transformantur, 250;

Homo homini Deus, 283;

Homo homini lupus, 280, 283;

His ornari aut mori, 222.

3. Parvus mundus Хехтана, 1579, стр. 400.

Hallam, on Pericles, 157.

Halliwell, on Astron., MS., Chetham Library, 42.

Хаслевуд, репринт «Диалогов о существах», 1816, стр. 303.

Η ΠΑΡΘΕΝΟΣ Хокинса, 1633, стр. 383.

Геральдика, орнаментальная, XVI век, 1868, стр. 14.

Herodotus, the Scythian arrow, mouse, &c., 18;

the phœnix, 382.

Hesiod, shield of Hercules, 20.

Hessells on Spelen van sinnen, 81, 82.

Hippocrates, Seven ages of man, 406.

Holbein’s Simulachres, the canoness, 469;

Heath and sleep, 469;

Death and fool, 472.

Holland’s Pliny, a work of art by Pytheus, to be put on or taken off,—a literal Emblem, 5;

Hardnesse of a diamant, 348;

The phœnix, 382;

Halcyones, 391.

Homer, Iliad, shield of Achilles, 20;

Word Emblem illustrated, 4;

Death not unbecoming the defender of his country, 222;

Insults to Hector’s dead body, 304;

Odyssey, Circe, 250.

«Мисс Килмансегг» Худа, для иллюстрации «золотого», 403.

Horace, conscience, 420, 421;

Circe and Sirens, 251;

Pine-trees in a storm, 490;

The swan, 214;

Time leading the seasons, 490.

Horapollo, quoted, Bees, 358;

Hawk on mummy case, 26;

Lamp burning, 456;

Phœnix, 23;

Star, 25;

Swan, 213;

Thread of life, 454.

Humphrey’s Hist. of art of printing, 1867, p. 43;

Plates from block-books, Biblia pauperum, 43, 46;

Ars memorandi, 45;

Dance of death, 469.

4. Зимородок. См. Kingfisher.

Hands of Providence, by Furmer and Coornhert, Plate XVI., 489;

Shakespeare, 489.

“Happe some goulden honie brings,” Whitney, 364;

Shakespeare, 365.

Hares biting a dead lion, Iliad, Alciat, Shakespeare, 304;

Alciat, Whitney, 305;

Reusner, 306;

Shakespeare, 306.

Harpocrates, Silence, Whitney, 208;

Pegma, 209.

См. Лотерея.

Hawk on a mummy case, its meaning, 26.

Hawsted and Hardwick, emblems there, 127–130.

Hen eating her own eggs, Whitney, Sambucus, 411;

Shakespeare, 412.

Henry II. of England, 50.

Henry II. of France, his impresa, 123, 125, 127.

Henry VIII., collection of pictures, 111, 114;

his impresa, 124.

Heraldic Emblems, 212–240;

в трех частях;—

I. Poetic Heraldry, 212–221:—

The swan singing at death, Horapollo, 213;

Virgil, Horace, Pindar, Anacreon, 214;

On death poets take the form of swans, Ovid, Plato, 214;

type of old age eloquent, Aneau, 215;

of the simplicity of truth, Reusner, 215;

fine thought by Camerarius, 217;

insignia of poets, Alciat and Whitney, 218;

Shakespeare combines various of these emblems, or of their spirit, 219–221;

Shakespeare’s beautiful comparison of heraldry, 221.

II. Heraldry of Reward for heroic achievements, 221–230:—

Wreath of chivalry, Whitney, Camerarius, 222;

Shakespeare, 223;

Victors’ crowns, Paradin, 224;

Eschenburg, 224;

Shakespeare, 225–227;

Honours from sovereign princes, Shakespeare, Talbot, 226;

Order of St. Michael, Paradin, 227;

Order of the golden fleece, Paradin, 228;

Argonauts, Whitney, 229;

Phrixus, Alciat, 229;

Whitney, 230;

Beza, 230;

Shakespeare, 230.

III. Imaginative Devices, 231–240:—

Porcupine, Giovio, 231;

Camerarius, 232;

Shakespeare, 232;

Ostrich and iron, Giovio, 233;

Camerarius, 234;

Shakespeare, 234;

Phœnix, Lady Bona of Savoy, Paradin, 234;

Giovio, 235;

Shakespeare, 236;

Bear and ragged staff, Whitney, 236;

Dugdale, 237;

Dudley, 238;

Shakespeare, 239.

Heraldry, Emblems its language, 14, 17, 82;

Its close connection with Emblems, 212;

Beautiful comparison from, 220.

Heraldry of poetry, 212–221.

Heraldry of heroic achievements, 221–230.

Heraldry of imaginative devices, 231.

Hercules, his shield, 20.

Hieroglyphics, their emblem character, 21, 25;

Subjects, 21, 26;

Examples, 24, 26;

Meanings of several, 26.

Hinckley, bed at, with emblems, 126, 127.

Historical Emblems, 188—211:—

Medeia, Alciat, Whitney, 189, 190;

Æneas and Anchises, Alciat and Whitney, 191, 192;

Shakespeare, 192;

Progne, Aneau, Shakespeare, 193, 194;

Sinon, illustrated from Brasidas and his shield, Aneau, 194;

Whitney, 195;

The elephant and undermined tree, Sambucus, 196;

Countryman and viper, Freitag, 197;

Shakespeare, 198;

Siege of Antwerp, Whitney, 199;

Sinon often alluded to by Shakespeare, 200;

Coriolanus, 201;

Death of Brutus, Alciat, Whitney, 201;

Shakespeare, 203, 204;

Characteristics of Brutus and Cassius, 204, 205;

Formidable after death, Alciat, Whitney, 205;

Shakespeare, 207;

The lottery, video et taceo, Whitney, 208;

Costalius, 209;

Shakespeare, 209–211.

Hives of bees, 371. See Bees.

Homo homini lupus, Whitney, Chrysostom, 281;

Androclus and the lion, 281;

Shakespeare, 282.

Homo homini Deus, Coustau, 283;

Reusner, 283;

Шекспир, «в постижении как подобен богу», 284.

Honours from sovereign princes, 226.

Hope, illustrated by Alciat, Paradin, Whitney, and Sambucus, 182–185;

Camerarius, 184;

Spenser, 185.

Human life a theatre, Plate XIV., 405.

Hunterian Museum, Glasgow, the Tewrdannckh, 67.

Hydra slain by Hercules, Corrozet, 374;

Shakespeare, 375.